Ricardo Miranda
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If it is really a LOW contrast film then it's a very good thing as well; because it would mean that it would be pushable to ISO 1250 with no problem (all films are pushable, but contrast increases with the push).
Now, what I don't understand, is the use of the special developer. Unless the low contrast is due to the activity of the special developer... Hmm...
Robert (Fotohuis) at the RFF forum said the same about pushing this film.
See: http://www.rangefinderforum.com/forums/showpost.php?p=2483512&postcount=12
Piu those blocked highlights are probably the result of pushing the film to reach the advertised speed + the fact that Foma films build up density like nobody else. Try to lower the E.I. or use a less active developer like D23 or a pyro developer. D23 and the Foma films work very well together and there is a reason why D23 is more or less the king of midtones developers.
As Ian said since the dryplate Age Film mfg would offer a normal contrast and a soft/Portrait Version of a emulsion just look up the old film/plate catalogues. Soft and Portraits film were also often optimised for retouching as their main use was portrait and nude photography.
Since Foma is on the classic Emulsion making run, could they please reintroduce one of the old Portrait papers in chamois with a slightly textured surface pretty please.
BTW: I enquired at http://www.macodirect.de for prices and availability. I'll let you know what their answer is.
The FOMA marketing was faster than the fabrication.
In the moment is the film under production.
We have still also not concrete prices.
FOMA will inform us, when the film is ready.
We will include the film then in our product range.
"Expose for the shadows, develop for the highlights" -- if the highlights are solid black then reduce development? There is a little less mis-development tolerance with the older style Foma films than with some alternatives, but the exposure and development quote still holds true surely?.
The Fomapan400 has some sensitivity beyond 700nm, which is even higher than the new film, though not quite as high as the Ilford film (SFX200 goes to about 760nm or so). I have never tried infra-red photography with Foma film, but it might be interesting.
I got some extra info from "the man from FOMA" in the UK.
35mm bulk film in 17m and some sheet sizes will be available to distributors by the end of the month.
Then it is a case of these local distributors to wait to collate a large order and wait a bit more for the transportation to your local sellers.
Boy 17m bulk rolls, that brings back memories of my High school days when I could not afford to splurge on 100 ft rolls.
You were rich I needed to buy dark room loads.
They weren't that much of a bargain, ex Government/Military FP3 & HP3 35mm cine film were great bargains in 100ft rolls
Those were the days.
Ian
Anyway, a new film is kinda something to celebrate. It's like going to a christening after a dozen funerals.
Huzzah! This is great news when we usually hear of film being discontinued, we have a new player on the block! I'm looking forward to trying this film out and working on figuring out developing times for other chemicals!
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