They have. This is not a new concept by any means.
Rollei has been doing it for years, they respool Agfa Aviphot. Astrum/Svema respools Tasma or agfa. Silberra film is almost certainly aero film, if not from Kodak, then from Tasma or Agfa. Probably the most widely known example is Santacolor. Both Rae 1000 and Color 100 are respooled areal surveillance stocks. There are many other places that do this, including me, who is offering surplus Aviphot 200 in MF and sheets on an extremely small scale.
People have been buying surplus or fresh areal film for many years, and packaging it in-house or with Shanghai or Foma. This business model is well explored, and it works well, so folks are happy to sell the stuff. And people are willing to buy it, because even though it might be cheaper to find surplus bulk film online, people don’t want to spend time in the dark making and packing film, they just want to shoot it.
I think it has to do with making money. And a surplus of black and white and color aerial reconnaissance films.
As far as black and white aerial reconnaissance film, I do not try it because it does not have the characteristics I am looking for in a black and white film. As far as color aerial reconnaissance film, I do not try it because I do not shoot color negative film. I have never shot color negative film. I used to shoot color transparency film and make Cibachrome prints, but I haven't done that in decades.
Please post your photos with this color film from CATLabs. Who knows, your results may convince me to give it a try. Did you ever try CatLabs X Film 320 Pro black and white aerial reconnaissance film?
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One thing puzzles me a little: if these black and white and color aerial reconnaissance films are so great, how come no one respooled and offered them to the unsuspecting public before? Think of the decades of creative photography that have been lost due to the unavailability of these films.
Not sure why people find it necessary to keep banging on about rebadged film. If it bugs you so much, don't use it. Simple. Now where is that RolleiIRSuperpan200Retro80 in this stuffed to the gills, freezer??
If they follow your advice than they would have nothing to bitch about.
I was in a photographic retailer's store the other day - one who hadn't sold any film for years, but have recently started doing so again - and a 5 pack of fresh 135-36 Portra 400 was $140 CDN plus tax.
Yes, Canadian film prices are crazy. That same 5-pack of Portra 400 is $74.95, or $14.99/roll with free shipping in the US at B&H.
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One thing puzzles me a little: if these black and white and color aerial reconnaissance films are so great, how come no one respooled and offered them to the unsuspecting public before? Think of the decades of creative photography that have been lost due to the unavailability of these films.
Again:Done for years. Kodaks official versions was Aerochrome, HIE and Tech Pan. But lot of other industrial emulsions has been released on the public. SFX is a traffic film. Agfa Superpan 200 is now a “Rollei” product, but was on the market long before Maco invented “Rollei”.
All super fine ISO 20 film that needs a special developer? Micro film.
I should have been clearer. I meant why wasn't the respooling of black and white and color aerial reconnaissance film done during the heyday of film, say 1960-2000, if the film is so great and all?
The only thing I remember being respooled back then was color motion picture film. There was a company that sold it by the roll inexpensively, you had to send it back to them for ECN2 processing and remjet removal, and then they would send you a free roll with your prints, which of course you had to send back to them for processing, and on and on.
why wasn't the respooling of black and white and color aerial reconnaissance film done during the heyday of film
In times of yore, when $2-$4 could buy you a roll of Kodak Gold from the store at the corner, there was no market rationale for such things
But yes, Canadian prices are high. And even then, there is very little stock.
Is that because the Canadian distributors are gouging the retailers who, of necessity, are passing said gouging on to the consumer?
I'd forgotten about that film. That must be what it is. Wonder how "almost colourless base" translates in reversal.
the base color is not inverted in reversal processing
Well, projected, you'd grow accustomed to the base colour (if it's slight) after looking at it a while. Sorta.
Yes, Canadian film prices are crazy. That same 5-pack of Portra 400 is $74.95, or $14.99/roll with free shipping in the US at B&H.
This is why I now buy all my film supplies from B&H. Before that it was Freestyle, but their high shipping costs negated any savings. I find Canadian retailers are pretty much double the listed US dollar value, not including the exchange cost. You do save around 40 percent buying from B&H. The only exception to all this is buying Ilford film from the Canadian warehouse direct. In that case it comes out cheaper than even B&H, as their Canadian pricing still comes out cheaper, shipping isn't expensive, and you save on one of the two taxes normally charged.Well, that equates to $100 CDN, and if we buy more than $99 USD of product, the shipping to Canada is also free.
So the difference is 40%, and B&H prices are not necessarily appropriate in many ways as a comparison against retail store prices.
But yes, Canadian prices are high. And even then, there is very little stock.
If you shoot through 4,500 4x5 or 2,570 5x7 sheets in a week, you have some serious talent.
Plus unless you have at least 321 holders you're going to have to stop to unload exposed sheets and reload with fresh.
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