Need inspiration to use my SLR!

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Markok765

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I'm not using my Nikon much these days. It's large, heavy and loud. The last time I shot a roll with it was a few weeks ago, during a paid shoot. I've been using a Olympus XA for the past few weeks, favoring it for its silence, small size and easy portability. It's a totally different feel shooting it, it seems relaxed and easy. I also love the 'look' of the lens, evident in the photos in this album: http://picasaweb.google.com/Markok765/OlyXAPics

So I'd like to be inspired to use it, any way you know how!
 

Rol_Lei Nut

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Get an interchangeable lens rangefinder (M39 or Leica M).

My experience with Cosina/Voigtlanders (wide) lenses is that they are sharp but tend to vignette... Might be the look you want, but with many more possibilities.
 

Rol_Lei Nut

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Oooops... Sorry, your post could qualify as an official reading comprehension test.

So, to bring out the best in your SLR, start getting *very* close to your subject.
(I'll avoid mentioning the use of very long focal length lenses)
 

nickandre

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I've given up shooting b+w material in 35mm. I'll probably try a roll of microfilm, but I vastly prefer the tonality of a 4x5. The SLR has been relegated to color work with Ektar 100.
 

Sirius Glass

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Markok,

Maybe the problem is because of problems with the Nikon. Send it to me and I will check it out right away.

Steve
 
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Markok765

Markok765

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So SLR's work the best when you fill the frame with the subject? I would love to get a Leica M RF with some wides, but I cannot afford one at this time, plus some features of the Nikon/Flash combo such as focusing in very dark places, and the awesome autoexposure with flash I need for some situations.

Sure Steve! Just send me a nice RF such as a Leica M6 to check out for you while you check out mine :smile:
 

IloveTLRs

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With an SLR you can get right up close to your subjects. After getting an OM-2 a few months ago I started doing that (coming from 2 years of nothing but RF work.)
 

mjs

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For a somewhat unusual take on use of 35mm, check out the book "Creative Elements" by Eddie Ephraums. It's a different philosophy than you get from mainstream reading.

Mike
 

2F/2F

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I can't believe that this is actually happening.
 

nickandre

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I enjoy the close focusing ability of my 28-80. That's the only thing I don't get with my other weird cameras.
 
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Markok765

Markok765

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Tom, I am calm :smile: sorry if I didn't seem like it lol.

I don't currently have a darkroom, kinda rebuilding mine! I still develop film in the washroom though, which is good as I have a huge backlog of around 70 films lmao!
 

ChrisC

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Have you tried running a new/different roll of film through the F5? Could be all the inspiration you need to keep using it. Maybe even spring for a used wide that gets you really close to things (if you can afford to spring for it) as it seems like it'd suit your style. I know new focal lengths (especially primes) do a lot for Also try planning a series on something where an SLR would be more suited. I've just started a series and I'm finally starting to use my 4x5 properly for the first time in well over 6 months. It's a good feeling, and there really are different courses for different horses.
 
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Markok765

Markok765

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Have you tried running a new/different roll of film through the F5? Could be all the inspiration you need to keep using it. Maybe even spring for a used wide that gets you really close to things (if you can afford to spring for it) as it seems like it'd suit your style. I know new focal lengths (especially primes) do a lot for Also try planning a series on something where an SLR would be more suited. I've just started a series and I'm finally starting to use my 4x5 properly for the first time in well over 6 months. It's a good feeling, and there really are different courses for different horses.

Hmm... Tri-x pushed in rodinal to 1600, wide lens and head on flash portraits? Weegee style?
 

rpsawin

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Put a lens on it, point it at something and see what happens.
 

glockman99

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No problem. If you don't use it, send it to me, or I'll hunt you down and take it from you, and then I'll use it.:D.:D.
 

Sirius Glass

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No problem. If you don't use it, send it to me, or I'll hunt you down and take it from you, and then I'll use it.:D.:D.

I got dibs! I called it first!

Steve
 

mudman

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If you have the SC-17 (or whatever its called) cable for off camera flash, try that with the portraits. I dunno about pushing Tri-x to 1600 and using flash, but its your experiment.
 

keithwms

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I understand where 2F and John are coming from :wink:

Marko recall that I advised you to get an F100 :wink: That advice still stands. An ex-F5er myself, I simply question whether the F5 is the right piece for you (based on what I have seen of your work). The F5 is a machine gun and you are a natural sniper. I went through this transition to more selective shooting myself... and now even the F100 feels like massive overkill most of the time.
 
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Markok765

Markok765

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I'd love to get a F3, but I need flash exposure! It's not so much the 'machine gun' style of the F5, but rather the weight. I'd rather have a F4 or F3.
 

Rick A

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Marko- why dont you try to get your hands on a TLR. Shooting an old Yashica D or Minolta, or Ricoh 6x6 with or (preferably)unmetered causes inner eye distortion, and you'll never see things the same again. They force a person to slow down and think a bit. Seeing things reversed through a dim viewfinder imposes serious brain warp. The worst that can happen, is you slow down and start composing in a manner you never thought of. Who knows, that may be the best thing to happen.
Rick
 

removed account4

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I'd love to get a F3, but I need flash exposure! It's not so much the 'machine gun' style of the F5, but rather the weight. I'd rather have a F4 or F3.

marko

flash exposure ?? get a flash and bracket ...
learn how to use a flash on a cold shoe.

go out and shoot ... the easiest way to do that is just to start ...

good luck!
 
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