National photographic portrait prize (Aus) results

Untitled

A
Untitled

  • 1
  • 1
  • 123
Blood Moon Zakynthos

H
Blood Moon Zakynthos

  • 0
  • 0
  • 417
Alexandra

H
Alexandra

  • 2
  • 0
  • 527
Prison

D
Prison

  • 2
  • 1
  • 608

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Guy S

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Went to the 2024 National Photographic Portrait Prize this weekend before it leaves display next weekend

All finalists are shown on the below link:
National Photographic Portrait Prize 2024

If anything it shows that film remains popular among fine art photographers and there was even a few alternative processes including a cyanotype photogram.

I did notice almost all of them were “Photographic pigment print” and I didn’t see any silver gelatine prints mentioned, is pigment print inkjet?

Almost all were very large prints and I imagine optical enlargement at those scales is out of reach for most artists.

The winner I feel won’t work on a screen, the specular highlight of the moon in the sitter’s eye tracing a path through the extended exposure is quite engaging to see in person and the blurred figure is more legible standing at a distance from the large print
 

koraks

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I did notice almost all of them were “Photographic pigment print” and I didn’t see any silver gelatine prints mentioned, is pigment print inkjet?

Yes, it's generally pigment inkjet.

The winner I feel won’t work on a screen, the specular highlight of the moon in the sitter’s eye tracing a path through the extended exposure is quite engaging to see in person and the blurred figure is more legible standing at a distance from the large print

I understand what you mean. I've had a quick look at the gallery and on a computer screen, I find the choice for this candidate not entirely obvious (if I leave out socio-cultural considerations that may play a role as well). But I admit that I'm also sensitive to the argument "can you make a compelling, straight portrait" as opposed to conceptual and visual, ah,... techniques.
 
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Guy S

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Joined
Aug 9, 2024
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Location
Australia
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35mm
I understand what you mean. I've had a quick look at the gallery and on a computer screen, I find the choice for this candidate not entirely obvious (if I leave out socio-cultural considerations that may play a role as well). But I admit that I'm also sensitive to the argument "can you make a compelling, straight portrait" as opposed to conceptual and visual, ah,... techniques.

Oh yeah, they all have a great spiel for why a particular look improves the portrait, they're more or less convincing. Depends how suggestible you are I suppose
 
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