My odd "C41" Process

Here is a shot from some ISO 200 (expired) Paradies Fotowelt film I got that been sitting in a op shop for however long in the hot weather for 50 cents for the roll




Exposed as ISO200, ceiling bounce flash.

Developed in Rodinal 1+25 with 1 level teaspoon of table salt (saxa brand, non-iodised) at 24c (I think, therm is broken, but at this temp outside, its normally ~24c) for 10 minutes.

Then fixed, then bleached with a colour bleach.

Exposed to sunlight, and developed in Kodak E6 Colour Developer, then bleached and fixed

(wth the obvious wash steps in between )

The raw scan with no adjustments uses about half the histogram space on the scanner, so fairly decent.

All the normal shots I took were @ 200-400.

I shot the simple test chart I have from 100-3200, 100 was a bit dense, with a thin density range (didnt use much of the scanner's histogram), 400, 800 and 1600 all looked healthy in that department and actually look pretty good visually too.

3200 isnt actually thin, its in a good spot (according to the histogram) with a reasonable range even, magenta looks less like magenta and more like red though (rodinal already forms some of the colour dye - though more on the slower speeds than higher speeds...)

 

I'll give you some advice, if E-4 requires anyway near the amount of development of C41, 1:100/1 hour is not enough.

Correct development of box speed for C41 in 1+50, was 40c, 2 hours and 20 minutes - I shit you not - With agitation - without agitation, you get edge adjacency affects, and on 35mm stripes across between the sprocket holes.

But you can use 1+50 for reversal, 1+25 you can not as it forms dye and thus you will get dark/black slides, I've used 1+25 and processed it as a colour negative by colour developing through the silver negative mask instead of the positive.

 

I do get a bit of a colour cast using the default profile to scan colour negs to remove the orange mask, but these come out with more of a grey/light green mask than an orange mask after developing, the auto-levels in the scanner software does all the hard work and only needs tweaking slightly, so it seems pretty reasonable

Grain isn't too objectionable though kind of prominent, though this is expired foreign supermarket film.

Ektacolour 160 shot @ 320, using 1+20/3 tsp table salt (in 500mL(120) now instead of 300mL)/10 min looks pretty good, nice and fine grain @ the same enlargement.


Once I get an enlarger set up, I plan on using dimmable RGB leds for a backlight