Most cine film from Kodak is labeled Eastman. The 18 could be the slit number from the master roll, unless they coded it with the little markings instead. I haven't seen any recent cinema film that had the ink printing on the edges, just old stuff so I'm going to guess it's really old. Can you match up any of the hieroglyphics with this:
http://historicphotoarchive.com/f1/16ekcode.html
Like was mentioned a few posts back, you should start by developing short strips pulled out of the loader and loaded onto a developing reel (in the dark!) until the edge markings are decently dark. Once you've done that you've gotten at least in the ballpark of proper development, then you can try getting into the ballpark of exposure by running some through a camera. A lot of cine film people play with is not camera film but various intermediate or lab stocks, which have insanely low speeds, so I'd set up on a tripod on a bright day outside and bracket up from ISO 1 in 1 stop increments using shutter speed. (You may need to back-calculate the ISO 1 starting point if your meter doesn't go that low...)
Duncan
http://historicphotoarchive.com/f1/16ekcode.html
Like was mentioned a few posts back, you should start by developing short strips pulled out of the loader and loaded onto a developing reel (in the dark!) until the edge markings are decently dark. Once you've done that you've gotten at least in the ballpark of proper development, then you can try getting into the ballpark of exposure by running some through a camera. A lot of cine film people play with is not camera film but various intermediate or lab stocks, which have insanely low speeds, so I'd set up on a tripod on a bright day outside and bracket up from ISO 1 in 1 stop increments using shutter speed. (You may need to back-calculate the ISO 1 starting point if your meter doesn't go that low...)
Duncan
