Perhaps what I'm really frustrated about is how sharp and how well the colors come out with my fuji ga645 is and would love that kind of sharp / color with a portable 6x6.
I've never used a Lomo LCA-120 (or a Fuji GA645 for that matter), but I'm not surprised if it doesn't quite stack up to the Fuji. Among other things, it's a zone focus camera.
With older portable or just lower-budget medium format cameras, there are some things to look out for, like: is the camera rigid and is the focusing system accurate (rigidity/alignment can be a problem with folding cameras), is the lens clean, are any light seals renewed where needed, no light leaks if it has a bellows, are you using a lens hood where possible? These are all things I would look at before being concerned about lens multicoating. One can take great pictures with a Yashicamat, but less so if the lens is hazy, etc.
One problem the OP is going to have is that by the time multi-coating and Fuji-sharp lenses became common, lower cost folders were pretty much done for. If you want Fuji quality, you will need to pay Fuji prices. So Bronica, Mamiya, Pentax, late Rolleis, and Hasselblad are pretty much your choices. Folders and mid/low TLRs will probably always disappoint you.
I agree with what Dan mentions. Basically there is that technological gap between what now are vintage cameras and modern performance. Literally between folders/TLRs and a modern option such as the Mamiya 6. I mainly have used a Fuji GW690, and it actually is quite sharp compared to the Tessar types I have gotten. I do notice that I am used to the Double Gauss designs.One problem the OP is going to have is that by the time multi-coating and Fuji-sharp lenses became common, lower cost folders were pretty much done for. If you want Fuji quality, you will need to pay Fuji prices. So Bronica, Mamiya, Pentax, late Rolleis, and Hasselblad are pretty much your choices. Folders and mid/low TLRs will probably always disappoint you.
Have gotten some Tessar type 6x6s lately, and got a deal on a Color Skopar Perkeo that I have yet to try. To compliment my Fuji 6x9 I had gotten a Super Ikonta IV with a Tessar and I find its lens characteristics quite pleasing but it has character; aka not as clinical as modern lenses and I stop it down as much as possible beyond f8-f11 with the "rule of thumb" for Tessars.The lens is single coated, not that it matters. Mine is a joy to use BUT the lens is far from sharp. The late Charlie Barringer (co-author of the Zeiss Ikon Compendium) had one whose lens was also poor. Sharpness is much overrated.
Multicoating is irrelevant for black-and-white photography but essential for color shots. Single-coated lenses may have a yellow tint in color shots.
One problem the OP is going to have is that by the time multi-coating and Fuji-sharp lenses became common, lower cost folders were pretty much done for. If you want Fuji quality, you will need to pay Fuji prices. So Bronica, Mamiya, Pentax, late Rolleis, and Hasselblad are pretty much your choices. Folders and mid/low TLRs will probably always disappoint you.
I don't know whether my 6x6 Baby Bessa is sporting a multi-coated lens, but I like it too.
Oh, the one lens I can think of in a folder that might come close for you is a Heliar in a Voigtlander Baby Bessa 66. The Heliar is a 5-element lens with great sharpness and great 'look.' Its contrast is a touch lower than later double gauss type lenses, but some of us consider that a benefit. Of course both multi-coating and interchangeable are out of the picture. AND you will need to find a 70 year old folder that is well-aligned, no holes in the bellows. And oh yeah, with the Baby Bessa, zone focusing.
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