Josef Koudelka shot his famous Prague Spring photographs of the Soviet invasion on an Exakta. He used black and white movie film, and had to keep returning to his apartment (or was it a college? I forget) to re-load. Presumably this was due to storage reasons rather than a glitch with his Exakta.The Apug Scrooge reuses a leader, sticks it to the fresh film, installs it in the camera waisting no centimeter of fresh film. Of course all done in the changing bag. And of course with bulk loading he reuses that endpiece too!!
Next step is to modify a camera for scrooginess.
The Apug Scrooge bulk loads and reuses a leader, sticks it to the fresh film, installs it in the camera waisting no centimeter of fresh film. Of course all done in the changing bag. And of course he reuses that endpiece too!!
Next step is to modify a camera for scrooginess.
What I know is Koudelka had to return to base to re-fill his camera at the end of each film. This would have meant considerable delay in a volatile situation. As he was using movie stock (Orwo, numbered by hand on his contact sheets), I assume this was an economy measure. What I've never understood is whether the re-loading was down to lack of cassettes, or a characteristic of Exakta cameras which meant film wound from one chamber to another, or some other reason - perhaps he had to buy it from a college store and was short of money?Maybe though I missed the idea you have in mind.
Unperforated 35mm was available for a time, called "35". The total image area would have been significantly greater without perforations!And just think of all the wasted perforations! Appalling
Just like 828Unperforated 35mm was available for a time, called "35". The total image area would have been significantly greater without perforations!
Ah, but 828 has that terribly wasteful paper backing, plus all the packaging for an 8 exposure film!Just like 828I've printed some 828 negatives, just a handful, but there's a noticeable difference.
Or a Kodak Bantam Special.Of course the real scrooge orders un-perforated film, uses a leaf-shutter camera, which he modified for the take-up spool for transport and bored-out the gate.
You can reuse the backing paper, since you have to spool the film yourself. The Bantam 4.5 is miniscule, has an excellent front element scale focussing 43(?)mm lens that seems best around 20-30 feet, and when collapsed fits easily in a shirt pocket.Ah, but 828 has that terribly wasteful paper backing, plus all the packaging for an 8 exposure film!
My newer Nikons are auto advance, so no chance of squeezing an extra frame. 120 can be profligate depending on format. 12 frames on 120 leaves lots of room either end. 6 x 9 may use more of the available film.All my 35mm cameras including a single frame Tessina, Voightlander Vito II, Widelux F7 and two newer Nikons use very little leader length. The 120 and 4"x5" are quite leader frugal.
I've never used 828, but assumed there was at least one sprocket for take up and frame counting. If I owned a quality 828 camera I'd find a workaround. Is the film chamber only capable of accepting 8 exposures, or could it take more if loaded and unloaded in darkness, and backing paper space was available? Are 828 cameras light compromised in other ways?You can reuse the backing paper, since you have to spool the film yourself. The Bantam 4.5 is miniscule, has an excellent front element scale focussing 43(?)mm lens that seems best around 20-30 feet, and when collapsed fits easily in a shirt pocket.
828 film had one perforation per frame, one could make a simple punch to do this on split 120 or 70mm non-perf. film. There are two spools, just like 120. The single perforation locked the advance on the better cameras, simpler cameras had the red window. My Bantam 4.5 has both.I've never used 828, but assumed there was at least one sprocket for take up and frame counting. If I owned a quality 828 camera I'd find a workaround. Is the film chamber only capable of accepting 8 exposures, or could it take more if loaded and unloaded in darkness, and backing paper space was available? Are 828 cameras light compromised in other ways?
It's amazing to a cheapskate like me. I wonder if by design, there could be a camera can squeeze out an extra exposure by reducing the space between the frames? Luckily, I don't smoke. I'd probably smoke the filter too.Minox 35's need a very short leader....I get up to 39 exposures.
120 film markings for red windows are fairly generous, so you could gain some real estate there. The unexposed ends are very wasteful. You could easily get 13 square frames, possibly 14 with a carefully calibrated advance wheel. 6 x 4.5 shots use more of the film, beginning and end, 6 x 9 uses least.It's amazing to a cheapskate like me. I wonder if by design, there could be a camera can squeeze out an extra exposure by reducing the space between the frames? Luckily, I don't smoke. I'd probably smoke the filter too.
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