funkpilz
Member
- Joined
- Sep 6, 2008
- Messages
- 184
- Format
- 35mm
I went on a trip through western Europe a few weeks ago, and shot a lot of film with my EOS-30, mostly APX100 and HP5+. The APX I stand developed in Rodinal, the results were simply beautiful. As always with this film.
The HP5+, however, came out absolutely horrible. Uneven development, fog, bubbles and all kinds of weird patterns on the negative, the images in most frames are barely visible, it's just horrible. I developed with either Ilfosol or Ultrafin (after discovering the first round of films had been destroyed, I switched developers), but these things appear on all negatives. Adostop 1+20, Tetenal Superfix Plus 1+9, and the Ilford method for washing the negatives plus a tank full of 1+20 Adostab for better drying.
These chemicals are tried and tested, and I've developed way over fifty rolls myself so far with any version of this combination, they all came out fine. How come this round went wrong?
Here's an example to illustrate my point:
The HP5+, however, came out absolutely horrible. Uneven development, fog, bubbles and all kinds of weird patterns on the negative, the images in most frames are barely visible, it's just horrible. I developed with either Ilfosol or Ultrafin (after discovering the first round of films had been destroyed, I switched developers), but these things appear on all negatives. Adostop 1+20, Tetenal Superfix Plus 1+9, and the Ilford method for washing the negatives plus a tank full of 1+20 Adostab for better drying.
These chemicals are tried and tested, and I've developed way over fifty rolls myself so far with any version of this combination, they all came out fine. How come this round went wrong?
Here's an example to illustrate my point: