How is the programming / recipe creation done? Is that a touch panel, or is there USB upload?
Thanks. looks very good.
I've noted your earlier posts, with interest. And I will continue following this.
By the way, it is Paterson, not Patterson.
Makes great sense to use a core that will except the most abundant reel on the planet, Paterson, also includes the winged version made by AP, and even the Hewes version for Jobo/Paterson. I've been following this project over on the large format site. Amazing progress in a short period. For a fully automatic unit this shows great promise. I would encourage folks to visit the Midtonemachines.com website. I like the valving, everything is laid out to be user serviceable, this is essential! 6 chemistry, all due respect to the excellent Tetenal process, if this is to be used by a retail shop or studio, it needs to be able to handle standard E6.
I am wary of "walk away from" machines, but for a small shop, or a studio this looks very promising.
PS the enterprise in China makes a hybrid reel, part Jobo part AP with the tab divider for double loading 120, I use Jobo machines now, but loading 2 120 onto 1 Paterson reel is pretty easy.
I think E6 is going to grow substantially if Fuji and Kodak keep prices reasonable. It's so much easier to scan, the small analog specialist who offers E6 development will sell slide film. The small shop that can set up C41 and E6, it's doable back in the era of Kodak, there were schemes for using some common plumbing for bleach, the fixer is the same. Having a set of programs that allow for push processing C-41, different replenishment etc. The key is no backwards contamination. I think your valving is got the potential for very little chance for cross contamination, as compared to some of the older machines.Rick, there's a colour LCD screen and a little joystick on the front which is used to control the machine including creating/editing recipes. I decided against a touchscreen because they can be annoying to use in small sizes and especially bad if you're wearing gloves which might have water or photo-chemicals on them!
Thanks, I'll fix that in the future
Cheers, I got a lot of feedback from some small film labs and users who have similar machines before starting and 6 chemical channels was a frequent requirement. Even if you don't plan to run E6 for example you could have three dedicated to C41 and the others dedicated to B&W so you don't need to change bottles all the time. Or you could have the first three set up for C41 and another two used as capture tanks for replenishment or sliver recovery. Replenishment and waste separation are another thing that small labs are very interested in. I get the concerns about leaving machines alone while they're running, I still watch the prototype like a hawk, but as you say for a lab, studio, community darkroom, university etc. it means you can be a lot more productive with your time.
The key is no backwards contamination. I think your valving is got the potential for very little chance for cross contamination, as compared to some of the older machines.
The Chromabox-4 is a very similar design to the old Phototherm machines. I didn't start out intending that to be the case (and I've never personally used or pulled apart a Phototherm) but given the requirements I started with it was clear to me pretty quickly that the best design to do what I wanted was very similar to the Phototherm and there didn't seem to be a point in re-inventing the wheel for the sake of it.
Continues to look very promising, Andrew. I’ve followed all the updates over at the midtone machines website, and did have one question. Could you possibly detail where this is right now with regards to thermal drift in a variety of scenarios. Black and white, long developing times vs. short developing times, E6, effect of ambient room temperature on the expected amount of thermal drift and possible guidelines for the end user in that regard, whether any of that seems to matter with regard to the end results, etc.
As best you can at this point, even though that sounds like a big ask, it’s one thing I have been curious about.
You do have some nice photos over on your separate site dedicated to those, btw. Best wishes for that venture.
Very cool. Enjoy following your progress, Andrew.
At first sight it reminded my of the small, full automatic processors offered by Durst and by Jobo.
The interesting thing is that you go the Paterson way, when so far rotational processing, at least at this forum, is related to Jobo tanks and drums.
Owning a Photo Threm Super Sidekick 8 & a couple Jobo processors presently or in the past I can say Andrews machine is much closer in look & design to my Photo Therm SS8 than to any Jobo machine I have own or owned. I'm not familiar with Durst processors.At first sight it reminded my of the small, full automatic processors offered by Durst and by Jobo.
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AgX might be referring to the Jobo ATL1000/1500Owning a Photo Threm Super Sidekick 8 & a couple Jobo processors presently or in the past I can say Andrews machine is much closer in look & design to my Photo Therm SS8 than to any Jobo machine I have own or owned. I'm not familiar with Durst processors.
Nice work Andrew!
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