MG test strips.

Chrome Halo 2

A
Chrome Halo 2

  • 0
  • 0
  • 77
Chrome Halo

A
Chrome Halo

  • 0
  • 0
  • 53
Narcissus

A
Narcissus

  • 0
  • 0
  • 51
Mirror of Desire

A
Mirror of Desire

  • 0
  • 0
  • 48

Forum statistics

Threads
187,912
Messages
2,618,909
Members
96,887
Latest member
Broadphoto
Recent bookmarks
0

Magic Rat

Member
Joined
Jan 4, 2004
Messages
87
Location
Jungleland,
Format
35mm
I just finished my darkroom and am going to start making my first prints. I'm going to learn using Ilford MG IV. When I make test strips, do I use a filter or just plain light? Negative or no?
TIA
The Rat
 

Flotsam

Member
Joined
Sep 30, 2002
Messages
3,221
Location
S.E. New Yor
I'd use a #2 filter. It ensures that the grades are evenly incremented and keeps your exposures consistant if you need to change grades.
 

bmac

Member
Joined
Sep 30, 2002
Messages
2,154
Location
San Jose, CA
Format
Multi Format
Flotsam said:
I'd use a #2 filter. It ensures that the grades are evenly incremented and keeps your exposures consistant if you need to change grades.
I agree. You should also look into finding a copy of Ilford's Multigrade printing guide. I got it in a student kit with paper, two rolls of HP5+ for about $20. It will take you step by step on.
 

Ed Sukach

Member
Joined
Nov 27, 2002
Messages
4,517
Location
Ipswich, Mas
Format
Medium Format
jdef said:
... make your test strips without a filter, which will equate to a grade 2 contrast,...

Quite a while ago, I first tried Variable Contrast paper, and was "*totally** dissatisfied with the results. That led me to investigate the character of the unfiltered light from the enlarger *without* any filtration. I reasoned that there had to be some difference - the color temperature from the "old" Omega B22, with the PH212 (?? - from memory - could be far "off") had to be something like ~ 2800 - 3000K; where the halogen in the Omega D5500 would be higher ~ 3500K, or so.

I tried the Ilford MultiGrade filters - and the results were *much* better. - a "2 1/2" filter would produce a "2 1/2" grade print.
So - to a comparison of the unfltered light and the light with filter in place...

I found the combination of dichroic color filtration that would produce light of the same color value as that using the gelatin "2 1/2 Grade" Ilford filter: Cyan= 00; Magenta=58; Yellow= 12.

I went through ALL the Ilford filters, and recorded the values for each; produced a line graph, and am now able to determine (caveat: the data depends on interpolation - ) the settings that would be theoretically correct for a "Grade 2.75" - or any "hardness" value.

Incidentally - those figures do NOT match the data given by Ilford in the Data Sheets included with the paper: Even there, they specify different settings for "single" and "multiple" dichro head settings.

So the "old" system - "Test, test, test ... and when you think you've done enough - test some more", is the way to go.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom