Huss
Member
So, umm, how did Vivian Meyer compose/focus on her subjects. Shirley she didn't hold her Rolleiflex to her face?
I'll point out that many painters, including myself, will turn a painting in progress upside down, often, to be able to judge if their work is true to their intent; errors just pop-up for viewing, and its a great aid in that regard..
WLFSo, umm, how did Vivian Meyer compose/focus on her subjects. Shirley she didn't hold her Rolleiflex to her face?
I have found it helpful to wait for the paint to dry a bit before I do that.
Although Pollock did use house paint as well as artist tube paint.I am using oils and acrylics and no 'runny' fluids that take longer than usual to dry, similar to Pollock, who painted on the floor and required, runny, quality paints to meet his needs.
I also tend to do watercolours on a table, drafting or un-angled and after the washes are dried, tend to paint with a semi-dry brush.
Sumi inks/colours are done the same as WC paintings, as are regular inks and thin acrylic fluids.
Alcohol inks must dry first, of course, and are pretty quick to do so on 'Adventure' papers.
Which mediums are you working in?
Although Pollock did use house paint as well as artist tube paint.
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