Mamiya C220 and portraits of 100 strangers.

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Ulrik Christiansen
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The reason I brought up fill flash is because all your portraits seem to have nice lighting, and having that extra burden to find a location with nice lighting beyond convincing someone to take the picture is probably not always easy. But you do seem to do it.

I remember reading years ago about how natural light is sometimes less natural looking than using a little fill flash. This is especially true with color film and even more so with reversal beause of loss of latitude. I used to use a lot of flash with my Mamiya TLRs, and had good Metz equipment. I t was all done through PC cords, and the flash itself took care of it's own expoure. Sometimes if flash is overdone it does look harsh, so good natural lighting is always best (and maybe a little fill flash just to boost the shadows could be good). Usually when I went out just to shoot for fun, I left the flash at home. I still have the Metz flash equipment, but need to import replacement batteries from Malaysia if I want to use them again.

Okay MattKing and Mark, you hooked me, I have to find out how to make it work.
If I am going to use flash while walking around, I am thinking I will place the speedlight in the cold shue of the grip (which my father conveniently bought as well) and then attach a PC cord to the flash and camera. Then, I have to use the M setting, right? Or the X.. I can't remember which is which. I have a Godox TT350f. Since TTL is out, I would then have to use manual flash settings? It does mean more time is needed to setup the exposure for the portrait.
 

calico

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And so the corruption begins. Flash, and lighting in general are fascinating and useful, but given this project has succeeded so far, must we demand that fill flash becomes part of it?
I must say, I agree with drmoss! You've been doing great with natural light, why get into the distracting, cumbersome process of trying to use flash? Could ruin your flow, your rapport with subjects.
 
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Ulrik Christiansen
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I must say, I agree with drmoss! You've been doing great with natural light, why get into the distracting, cumbersome process of trying to use flash? Could ruin your flow, your rapport with subjects.
Drmoss_ca and calico: Well, I'm pretty sure I will continue my little series the usual way in the foreseeable future, even though I do want to learn how I can use flash with me C220. I have gotten used to the workflow as it is, and it would also be a huge apparatus to carry around :smile:
 

drmoss_ca

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Going off-topic here: I have enjoyed learning the abilities of the Nikon CLS, and also the use of strobes and monolights for other cameras (even those using paper negatives at ISO 3). But let's not spoil what the original poster has going on here! He's making lovely portraits of strangers on the street. I'd like to see more of that and wish I were in a position to do it myself.
 

pbromaghin

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Drmoss_ca and calico: Well, I'm pretty sure I will continue my little series the usual way in the foreseeable future, even though I do want to learn how I can use flash with me C220. I have gotten used to the workflow as it is, and it would also be a huge apparatus to carry around :smile:

But just think how much cooler you'll look with all this weird equipment hanging around your neck!
 

MattKing

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No, the OP isn't required to use fill flash.
But given what we see, we think he might really like or benefit from it, so we are encouraging him to try fill flash.
It looks to us like it may really suit what he does, and may add flexibility to his efforts.
If you are going to try it:
1) use X synch. Your C220 will synch with the flash at all shutter speeds, which is important when you start adjusting things to balance fill and ambient light;
2) use a flash with a built in "automatic" sensor. Over here they were often referred to as thyristor flashes, but that is actually a misnomer;
3) put the flash on the cold shoe on the grip;
4) generally, I would set my "automatic" flash to under-expose by one stop to achieve the right level of fill. That means set the exposure on the camera to match the ambient light, and then set the flash to give one less stop of light than would be optimum for the ambient light setting. Usually you would set things up with your subject being at least partially backlit.
In my case, I did or do most of this sort of work with one of the following:
1) initially, a Vivitar 283 flash;
2) mostly, with a large, really powerful Metz 60CT series flash - great for weddings;
3) more recently, with either the Metz flash or an Olympus T-32 or T-20 flash.
The Olympus flashes are slightly limited, because they aren't particularly powerful, but they are also relatively small.
This was done with the C330 and a larger, studio flash supplying the fill:
upload_2021-11-11_15-0-20.png
 

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If you want to see something fascinating, try taking 1 photo a day of the same person 100 times. I unintentionally did something similar when I was suffering from GAS many years ago. Almost every day a new camera or lens arrived or was shipped out, and since you can only take so many photos of a black housecat, the wife ended up being the model for those lens tests. All of 'em were head shots, or closer.

Years later I looked at those photos, and there appeared to be a quite different person in each photo! The type of lighting, time of day, frame of mind, lens/focal length/format, etc all make a difference. Later, I tried shooting 36 frames of the model rapidly, and wow, they sure looked different too.

Describing a photograph as a moment in time is not all that accurate, it's more like 1/1000 of a second. Maybe 1/8000 of a second. Our eyes/breath/faces are in constant change moment to moment, we just don't notice it.
 
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Ulrik Christiansen
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No, the OP isn't required to use fill flash.
But given what we see, we think he might really like or benefit from it, so we are encouraging him to try fill flash.
It looks to us like it may really suit what he does, and may add flexibility to his efforts.
If you are going to try it:
...
View attachment 290763
Thank you Matt, your notes are saved! Much appreciated.
 
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Ulrik Christiansen
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If you want to see something fascinating, try taking 1 photo a day of the same person 100 times. I unintentionally did something similar when I was suffering from GAS many years ago. Almost every day a new camera or lens arrived or was shipped out, and since you can only take so many photos of a black housecat, the wife ended up being the model for those lens tests. All of 'em were head shots, or closer.
I have been using my moms cat for this and there is a new cat in every picture :smile:
 

Moose22

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I have been using my moms cat for this and there is a new cat in every picture :smile:

I bought a new digital camera a decade ago, when I still had a cat. First day I got it I was sitting in a coffee shop, looking through all the settings and getting used to the controls as you do with any new camera, when I ran into a girl, also a photographer, whom I had known casually for 3 or 4 years. I handed her the camera and before doing anything else she said "I guarantee the first shot will be of your cat" then pressed the play button...
 
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