Lubitel 166 surprise

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Xmas

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It is a 'copy' of a Voightlander Brilliant, eg see

http://camerapedia.wikia.com/wiki/Voigtländer_Brillant

But in plastic

The lens on mine is reasonable, allowing that focusing is not exact but it was cheap 10£ no box NOS.

All I've done is paint the interior Matt black and flock the bottom to reduce reflections.

Today upgraded at 280£ or so in Lomo shop or 50£ used on market stall it is silly.

But I've seen several in use around London.

I must try not to tease the users
I must try...
 

Xmas

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I love my Lubitel 2. And if I could figure out how to accurately focus it every time, I'd love it even more.

f/8 or smaller stop works ok.
Film kink is a lesser problem at f/8 or smaller.
 

Ko.Fe.

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It is a 'copy' of a Voightlander Brilliant, eg see

http://camerapedia.wikia.com/wiki/Voigtländer_Brillant

But in plastic

The lens on mine is reasonable, allowing that focusing is not exact but it was cheap 10£ no box NOS.

...

Lubytel 2 is very close, including the pattern on the bakelite body.


Lubitel 2 and Moscow News by Kostya Fedot, on Flickr

Mine has very good lens, nothing Lo-Fi, regular coated triplet. I aligned focusing and taking lens.
But focusing with loope is next to impossible.
I'm using it as scale camera and distance numbers are where they should be for it, not where they are usually are at TLRs.
With scale focusing I could take portraits at f5.6 just as with Nettar 515, which I have also.
 

gzhuang

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The unfortunate thing about the Lubitel 166B/U is that you're projecting images from an APS-C lens onto a full frame sensor in digital terms. Hence my preference for shooting non-perf 35mm film with it. Lower in resolution than 120 format but at least 20% more resolution than standard 35mm. :tongue:
 

Dali

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Xmas

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The film is bent through 90 degrees between feed spool and exposure it won't necessarily be flat at exposure depending on temperature and time is is left at 90 degrees.

A TLR is not the worst for bent feed paths.
 

Dali

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Yes, it is a known fact even for the most prestigious TLRs like the Rolleiflex...
 

blockend

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Some TLRs have less acute film paths than others. For bellows varieties there's also the possibility of having the film plane sucked out of place by the vacuum as it is extended. In practice I've never found it a problem.
 

Xmas

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Some of the Rollis came with a glass plate...
 
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gzhuang

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The film is bent through 90 degrees between feed spool and exposure it won't necessarily be flat at exposure depending on temperature and time is is left at 90 degrees.

A TLR is not the worst for bent feed paths.

A piece of recycled 120 film backing paper over 35mm film should resolve this problem. Preferably black Rollei paper. :tongue:
 

Ces1um

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The film advance knob directly moves the film, no gears, so if it doesn't advance, don't force it. Those parts are plastic on the Lubi.

I owned a 166B and it was love at first sight, but THEN i discovered many flaws which made me sell the camera:

- difficult to focus viewfinder
- difficult to hold steady while releasing shutter

and the worst:

- lens not sharp enough(!!), even when used stopped down to f8-11 and after performing focus check on the film plane.
I know, reviving a dead thread here but if you find it difficult to hold steady when releasing the shutter, try using the cable release that usually comes with them. They're a short cable on purpose so you can easily hold the camera steady and you don't have to push on the shutter at all- just on the cable release.
 

E. von Hoegh

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johnha

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I bought a 166U in the 1990s, excepting the shooting procedure (no interlocks, red window film advance etc.) it is a perfectly usable camera. It wasn't totally pin-sharp but made up for that with the tonal graduation compared to 35mm. The only problem was that the 6x4.5 mask scratched the film so I stopped using it. My only real annoyance is the focussing 'screen' having only ground glass in the centre, it means you need to be more careful (take more time) when focussing.
 

Ces1um

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I bought a 166U in the 1990s, excepting the shooting procedure (no interlocks, red window film advance etc.) it is a perfectly usable camera. It wasn't totally pin-sharp but made up for that with the tonal graduation compared to 35mm. The only problem was that the 6x4.5 mask scratched the film so I stopped using it. My only real annoyance is the focussing 'screen' having only ground glass in the centre, it means you need to be more careful (take more time) when focussing.
I know everyone will crap on it, but Lomography's 166+ has a split prism viewfinder (and ground glass). It's a lot easier to focus.
 

Agulliver

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I was given a 166U earlier this year and have run three films through it....one Rollei Retro 400S, one Fomapan 400 and one Lomography 400 colour neg. All films went through smoothly and the lens seems very sharp. Focusing isn't easy for sure, but it's no worse than the Lomo Konstruktor kit camera. It's doable. But this isn't a quick "shoot from the hip" camera...it works best when photos are composed carefully. The difficulty firing the shutter without shaking the camera is rather like a box camera.....but can be alleviated with use of a short cable release.
 

Dali

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I agree, using a cable would greatly reduce the shaking (shutter pretty hard to trigger off). But there is not much to do with focusing which is by far the worst part of the Lubi. :sad:
 
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