At the risk of sounding like Grampa Simpson here, in my day (50s -60s) 3.25 x 4.25, was the intro to large format. (Remember film packs?) Being able to expose and develop one sheet of film at a time was one thing we liked about LF. (Yes there were 2.25 x 3.25 cameras that took sheet film of that size, but they were rare.) I always tell my students, if you find that some part of darkroom is too tedious, you need an attitude adjustment. I put put on the headphones, some some vintage Herbie Hancock, or more recently Stereo Lab, and go into the zone. There's nothing like total darkness to soothe the woes of the day. If your headphones have a blue light that comes on when you turn on sound canceling, don't forget to turn it off, or you see the film in the trays after a minute, as happened to me. Seek professional satori.