A stop or so may be good as it enables shadow detail (expose for shadows), of course depends on the metering. Back on Pnet, I ended up on a thread about Kodak 800 and there was PE and Ron Andrews arguing that Kodak's film was the fastest, while Fuji was slightly optimistic (measuring shadow detail at 800).Why would a person buy 800 ISO film and shoot it between 200 and 400? I can see fudging a slight bit so that you don't underexpose but 200?
I'm not a fan either of overexposed film, but I couldn't tell what actual speed the film was because it was intended for redscale and originally rated 50-200. As for the 800speed, Kodak still produce a cheap 800iso speed film but it goes inside disposable cameras, perhaps you should try that one against lomography 800 (both fresh and possibly the same emulsion)I'm not big on overexposing color neg film. I'll usually shoot at 1/3 stop over the rated speed, unless recommended to shoot at box speed. Older film of course has to be overexposed more but that's because it's old.
I don't think we can go by edge markings for film ID...Lomography obviously has their own custom edge markings on the 800 speed film. We should ask one of the Rons for more info, but I wouldn't be surprised if those numbers/letters were easy to customize in manufacture.
Does anyone think the Lomography 35mm 800, if manufactured by Kodak, would be similar to Portra 800 at the price point it's sold at? Or more likely to be similar to Max 800? Personally I'd guess Max 800. It makes sense too, because Kodak hasn't marketed that film (outside of single use cameras) in years. Just like the ISO 100 (Kodacolor 100 no longer marketed unless you're talking Ektar). And although Kodak markets Max 400, it was speculated that the Lomography was based more on VR400. Actually, it'd be interesting to shoot Lomography 100, 400, and Kodak Color Plus 200 against one another to see if they match. Color Plus has already been verified as being the latest iteration of VR200. This might essentially be VR 100, 200, and 400.
As far as the 800, I have a roll of Kodak 800 (not Portra, but the type that used to be called Max 800). I'll get a roll of Lomography 800 and test them against each other. Any tips or ideas for that test? I'd want to shoot a few subjects and bracket everything. Also, anyone else want to try likewise, testing Lomography 800 35mm against Max 800 and/or Portra 800? There are some pretty perceptive people here. It shouldn't be hard for you all to tell if this is Kodak or not. We just need a big enough sample size to be reliable.
Kodak is still manufacturing a consumer grade 800ISO film for its disposable cameras, my guess is that film could be special ordered by lomography in different sizes. I don't know how much film lomography actually orders because it seems that all the time it becomes available it's sold out pretty quick. At the current time all their colour negative films are out of stock. They also have the new Lomochrome film out, someone must produce that film too, and my guess is Inovis CoatJust thought of something...
Assuming it's definitely an existing Kodak formula...
Since Colorplus 200 is the latest version of VR 200, and evidence points to Lomography 100 and 400 being its respective Kodacolor VR counterparts...
Could Lomography 800 be VR 1000?
Or is that kind of far-fetched? Never having shot VR 1000, I'm not familiar with what it was like. But for those who have shot it and have also used the Lomography 800, could they be similar? Or is the Lmography much better/newer than VR 1000 in image quality?
What about the newer Royal Gold 1000, Pro 1000, Ektapress 800, or newest Supra 800? Even though technically discontinued, could Lomography have ordered up new production of a large batch based on the formula from one of these discontinued films, working with Kodak?
Or does it have to be Max 800 or Portra 800, because those are the only two still made?
I wasn't aware of VR 100 or VR 400 still made currently...until the Lomography films came out. See my thought process and rationale?
Or that the same company did the finishing, from bulk stock from ????I just purchased the Lomography 110 and 120 color films and both boxes indicate the films are made in China.
The expiration date embossed on the boxes, has the same typeface, so it would appear that the same company may have manufactured both sizes.
Or that the same company did the finishing, from bulk stock from ????
I actually just watched a Youtube video on this film. It has some interesting information about the characteristics of the film, and has test shots at different ISO/EI settings, but nobody seems to be able to pin down who made it. Overall, a good video, I thought.
The intricacies of the OEM market...Or that the same company did the finishing, from bulk stock from ????
My fresh Lomo 800 35mm film dated 2022 says made in USA
Made in China does not mean coated in China though.Currently at least, the Lomo 800 emulsions are apparently Kodak Gold or similar - and the Made in China previous films are likely to be from Kodak derived formulae coated at the plant in China Kodak was/ is involved in. Longer term, I would not be surprised if Lomo gradually shift fully to Inoviscoat/ Agfa derived formulae coated in Germany.
My guess is that Lomo's color film is either a contract batch from Inoviscoat or it's Astrum film being canned by someone in China that bought the Lucky canning machines.
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