dave olson
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At the price, if OP is good judging distance or uses a rangefinder, the Kodak Tourist is folder, came in several levels, the top of the line with 4 element 101 with leaf shutter featuring top speed of 1/1800 of a second. Die cast aluminum body, pretty good coating for the lens. Downside is respooling 120 film onto 620 spools. With enough time to find a dozen spools to reload before leaving. At 6X9 with a decent 4 element lens, it should resolve Tmax 100 at 200 LPM.
If you want to use 35 mm with spool adapters (I missed that preference) I'd suggest a Baby Speed, Baby Crown (Graflok mount on these), or Century Graphic, with an RB67 ProS or ProSD 220 film back. This back will also feed 120, though it's mildly annoying to have to advance ten more frames when you reach the end instead of having the frame counter freewheel, but with the slightest modification to the first turn-around roller it does a bang-up job with 35 mm film. And it will mount to the 2x3 Graflok mount on a Century or Graflok Baby Speed or Baby Crown. And all of those are lighter, more compact cameras than the RB67, of course (I think I've owned a couple motorcycles that were lighter than my RB67). With a correctly calibrated Kalart rangefinder and a 65 mm Angulon you get wide angle (like a 35 on 35 mm) and ease of operation similar to a WWII vintage separate-window RF 35mm camera -- but 6x7 frame. You can also mount a 6x6 back if you want square (Graflex 22 are easy to find), and Mamiya even made a 6x4.5 back for the RB67 for a while (I have one).
Of course, with the Graflok mounted roll film backs, you can switch films or formats in under a minute (dark slide, unlatch the mount, install new back and latch in, pull dark slide).
My Lubitel 166 TLR on my lightest tripod comes to an all up weight of 2Kg, more if a film is loaded. A clean Lubitel TLR is a cheap and workable if limited camera with a surprisingly good lens. BUT I would never travel anywhere
with just the Lubitel. It was built way back in the Soviet command economy by people in a hurry who did not always check their work.
Mooring Posts and Birds, Noosa
Gelatin-silver photograph on Ilford Classic VC FB photographic paper, image size 16.3cm X 16.3cm,
from a Kodak Tmax 400 negative exposed in a Lubitel 166 TLR camera.
I'd estimate that, like seagulls everywhere, they are seeking advantage and opportunity. Hanging around the boat harbour and the river-side picnic ground is a good strategy.What are those birds doing??
A Pentax 67, late-generation (1991-1992) will be a good choice. Crop down to 6x6, or any other format from the full 6x7 frame. Trouble is finding one of these cameras that will be reliable going forward; they are not the best buy if you should land one from e.g. 1969 to 1975, having been thrashed, bashed, belted and bruised professionally in that era, then summarily dumped on eBay ready for unsuspecting buyers to pounce. No spares are available in the event of the need for repairs. Upside is damned good and plentiful supply of lenses, one of which is the SMC Pentax 67 75mm f2.8AL (asph.) lens, albeit at grossly over-inflated cost now (I bought mine 14 years ago for $900; now I see them going for $6,0000 to $7,000!! Ugh! Profit taking!); others still exist in the stable to whet the appetite. Alas, the more lenses, the heavier the kit becomes (ask me about that ...), so not actually a lightweight MF kit, but an exceptionally capable and versatile one, with sound effects thrown in for good measure!
Reliability is the key issue to consider, as with all MF cameras now. Shop carefully.
If you want to use 35 mm with spool adapters (I missed that preference) I'd suggest a Baby Speed, Baby Crown (Graflok mount on these), or Century Graphic, with an RB67 ProS or ProSD 220 film back. This back will also feed 120, though it's mildly annoying to have to advance ten more frames when you reach the end instead of having the frame counter freewheel, but with the slightest modification to the first turn-around roller it does a bang-up job with 35 mm film. And it will mount to the 2x3 Graflok mount on a Century or Graflok Baby Speed or Baby Crown. And all of those are lighter, more compact cameras than the RB67, of course (I think I've owned a couple motorcycles that were lighter than my RB67). With a correctly calibrated Kalart rangefinder and a 65 mm Angulon you get wide angle (like a 35 on 35 mm) and ease of operation similar to a WWII vintage separate-window RF 35mm camera -- but 6x7 frame. You can also mount a 6x6 back if you want square (Graflex 22 are easy to find), and Mamiya even made a 6x4.5 back for the RB67 for a while (I have one).
Of course, with the Graflok mounted roll film backs, you can switch films or formats in under a minute (dark slide, unlatch the mount, install new back and latch in, pull dark slide).
Taylor, I agree, the Pentax 67 is a great camera, but like the RB67 it is far from lightweight (roughly 2.25 kg w a lens). It might be a great choice for driving around sites in Iceland or the American SW. I used to use it for photographing rodeo & I thought the 45mm was spectacular.
At the same time it is big & bulky & not a camera i'd choose for hiking/climbing....or spending the day walking around any European city.
Hello everyone! I'm thinking about taking a trip to Europe early next year and wanted to pick up a lightweight mechanical MF camera; ideally 6x7 (but anything 6x6 or up is fine), ideally letting me put in 35mm adapter spools, and ideally having a 35mm equivalent lens of 50 mm or wider (wider much preferred). I was thinking about picking up an old Soviet folder honestly as those are super duper cheap or some kind of TLR, but honestly this is uncharted territory for me and I don't actually know how much any of these weigh or any of the problems they might have. I already have an RB67 but I am not keen on lugging that thing around while on holiday
I imagine there are probably not many (any?) cameras that meet all of my preferences (I realise "lightweight" and "mechanical" are often mutually exclusive! so I would still be open to hearing about electronic cameras for example), but it would be nice to hear recommendations from all of your experiences and any tradeoffs and pitfalls to watch out for with any particular make of camera. The only absolutely necessary requirement is that it's relatively light/easy to travel with, and medium format. I'm already covered in the 35mm department. Thanks all for any advice!
As suggested earlier, a baby crown graphic could be a good choice. Here are some weights for comparison:
2 by 3 Crown Graphic, 65-mm lens with Grafamatic holder (6 shots, sheet film) 3.0 lbs 1.36 kg
2 by 3 Crown Graphic, 65-mm lens with Horseman 6 by 9 roll film back (8 shots) 3.125 lbs 1.42 kg
Voigtlander Bessa II 2.125 lbs 0.96 kg
Nikon F with Photomic T finder and 50 mm f1.4 lens 3.0 lbs 1.36 kg
Nikon F3 with 45-mm pancake lens 2.125 lbs 0.96 kg
Rollei 35S 0.78 lbs 0.35 kg
The Crown Graphics are relatively cheap. The roll film back adds some bulk, but the 120 film is cheaper than sheet film ($1.37 per shot of 2 by 3 roll versus $3 per shot 2 by 3 sheet). The roll film back gives a little bit bigger negative. The 65- to 100-mm lenses are all quite small. The 90 mm is slightly wide, and for 6 by 9, similar to a 40-mm lens on a 35-mm camera. An 80-mm may be ideal for you (equal to a 35-mm lens on a 35-mm camera). The 65-mm lens on 6 by 9 is close to a 28-mm lens on a 35 mm camera.
A downside to the graphic is that with wider lenses (< 75 mm) the sport finder cannot be extended and used at infinity, and small viewfinders for 65-mm or wider are harder to find. Usually, I use a Graflex finder on top of the camera for a 90-mm lens and imagine the rest beyond it. I don't use a rangefinder. The wider lenses need to be stopped down around f11 or so, anyway, so zone focusing is not that difficult. A homemade distance scale can be fastened to the standard's rail for wide lenses (the cameras usually have one for a 100-mm lens already).
I am pretty sure I get better resolution with the 2 by 3 than a 35 mm. I often take my baby graphic on mountain trips with lots of hiking/easy climbing. I switched to it from the Voigtlander because the Bessa viewfinder is so small and the lens and bellows blocks some of the view. It's much handier to carry though. I use an old army canteen holder on my belt.
More important than the weight, I think, is the ergonomics. The Crown Graphics take some getting used to. I wouldn't bother with the 35-mm adapter spools. Keep it simple.
ey were designed to use standard small "6x9/2x3" graflock backs.
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