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Lens with two apertures

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baachitraka

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As you might have experienced that squinting human eye can able to see outside world slightly sharper...

With that, Will adding an another aperture to an existing lens produces any sharper pictures, provided both apertures have same or different opening?

Just curious...
 
Would a stereo camera fit the bill? Or is the 2 aperture idea more effective in one lens?

At-least from Minolta's design(now SONY) looks great.
 
The Sony lens is a soft focus lens, not a super sharp lens.

Mamiya and others have done this for years.

They don't provide sharper or less sharp images, soft focus lenses treat the out of focus areas differently.

In the Mamiya 150SF for the RB for example, the glass is designed with spherical aberrations that affect the image when an f stop larger than f/8 is used. (At f/8 and smaller apertures the lens is "normal".) The lens originally came with 3 disks with many small holes around a normal aperture opening.

These disks allow a user to adjust to f/5, f/5.6, or f/6.3 while leaving the normal aperture control at f/4, the extra holes scattered around the main aperture allow the aberrations to "sneak in" around the edges.

This is one of my favorite lenses. This lens requires working differently, like stoping down to f/8 to focus and taking the lens apart to set aperture. It's effects are also strongest in the highlights.
 
...but, the samples look okay for me.

http://www.the135stf.net/samples2.html#galleries/new/Spiky_Planet.jpg

I am not a fanboy of SONY but just wondering what effect will bring on image quality when two or more apertures are used.


The Sony lens is a soft focus lens, not a super sharp lens.

Mamiya and others have done this for years.

They don't provide sharper or less sharp images, soft focus lenses treat the out of focus areas differently.

In the Mamiya 150SF for the RB for example, the glass is designed with spherical aberrations that affect the image when an f stop larger than f/8 is used. (At f/8 and smaller apertures the lens is "normal".) The lens originally came with 3 disks with many small holes around a normal aperture opening.

These disks allow a user to adjust to f/5, f/5.6, or f/6.3 while leaving the normal aperture control at f/4, the extra holes scattered around the main aperture allow the aberrations to "sneak in" around the edges.

This is one of my favorite lenses. This lens requires working differently, like stoping down to f/8 to focus and taking the lens apart to set aperture. It's effects are also strongest in the highlights.
 
...but, the samples look okay for me.

http://www.the135stf.net/samples2.html#galleries/new/Spiky_Planet.jpg

I am not a fanboy of SONY but just wondering what effect will bring on image quality when two or more apertures are used.

Like I said the 150SF is a favorite of mine. I like the SF effect.

The central aperture controls the main/sharp image.

The filtered area, by holes or whatever around the main aperture, allows the effect, whatever that may be, of the rest of the edges of the glass to be used.
 
In the Mamiya 150SF for the RB for example said:
Curious to look any sample pictures.
 
I have some rough negative scans:
 

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Yes using the 150mm soft focus for RB67.

I forget the aperture settings for the others but the girl is F/4 with no disc attached, therefore there is only one aperture :smile:
 
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And a small work print. Again, I don't remember the aperture.
 

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Thank you.
 
Me too, at least very close to that anyway.
 
As you might have experienced that squinting human eye can able to see outside world slightly sharper...

Had another thought here.

It isn't that you can see sharper, squinting actually degrades sharpness and clarity.

What it does do though is simplify the image, because extraneous detail is no longer "distracting" us, the "essence" remains/becomes more clear, not the image itself.
 
I do not know whether this is related to this discussion.

I am wondering why bellows in LF having ridges rather than smooth taper. Curious to know, how light propagates through the ridges.


Had another thought here.

It isn't that you can see sharper, squinting actually degrades sharpness and clarity.

What it does do though is simplify the image, because extraneous detail is no longer "distracting" us, the "essence" remains/becomes more clear, not the image itself.
 
I do not know whether this is related to this discussion.

I am wondering why bellows in LF having ridges rather than smooth taper. Curious to know, how light propagates through the ridges.

There is normally no interference from the ridges, they are normally outside the path the light follows from lens to film.

Now if the bellows is allowed to sag into the light path then it will simply block the light in that area, nothing reaches the film.

There is no difference in this effect for a non-ridged, bag, bellows.
 
I do not know whether this is related to this discussion.

I am wondering why bellows in LF having ridges rather than smooth taper. Curious to know, how light propagates through the ridges.

The ridges and folds allow the bellows to compress and expand for focusing, and are structural so the bellows will not sag (much) when extended. They also allow a camera to fold up for transport. The bellows are black on the inside to reduce reflections, and larger than the image cone coming out of the lens so no light is propagated through them, and virtually no light is reflected off of them inside the camera.
 
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As you might have experienced that squinting human eye can able to see outside world slightly sharper...

With that, Will adding an another aperture to an existing lens produces any sharper pictures, provided both apertures have same or different opening?

Just curious...

Probably not. Apertures are usually placed at the nodal point of the lens. There is only one of those. An aperture placed in a different spot either won't have an effect or will become the de facto aperture, but in the wrong place. There are however many "tricks" available in optics, but in the end it's all math and physics, and there is rarely a free lunch with those two.
 
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