In our factories, you can still see old machines dedicated to film cameras in operation. But in 2015, we thought about throwing everything away because we were only producing 500 film cameras per year. But there has been a nice rebound since then and, in 2023, we will produce nearly 5,000 M6 and MP analogue devices.
Are these purchases for Leica's by real photographers - those who'll actually go OUT and shoot and process/develop,etc. - or investment pieces added to those with ever so growing portfolios?
The degree of hate towards Leicas is something I fail to understand. I wonder if it's more of an Anglo-Saxon thing. Are Leicas seen more as a status symbol in the US and UK rather than mainland Europe perhaps?
Plenty of senior amateur photographers spending tens of thousands of $ on huge plasticy manlet toys like the Nikon Z9 or any of those pixel shifting triple sensor mega sonic AF Sony mirror less monstrosities - and nobody will bat an eyelid.
Now add one of those huge f/1.2 primes or those tacky superzooms with last generation image stabilisation and 6 lanthanium-plutonium corrected elements. Great pictures of the backyard picket fence or the neighbour's cat if there will be pictures at all.
However - when someone gets an M camera, a marvel of engineering that will keep working like a Swiss watch long after those Z9 have become little more than another dusty Playstation joypad in a storage box - then that is met with suspicion. Yep, the owner only wanted an investment. Yep it's just another Patek Philippe.
Anecdotally, I've been travelling a lot around Europe for work lately. I keep seeing younger film photographers out and about and we always stop to chat. Some of them will be using some kind of compact camera. Many will be using a Leica rangefinder. And by using I mean using. We always exchange contacts afterwards, and I'm always surprised at the quality of their work with those Leicas. And even with those Mju II.
I don't have an M and will probably never own one (I like my Rolleis too much) but it's a great company and I wish them every success during the film photography revival. Looking forward to Pentax jumping back in, too!
Where exactly do you see "hate" towards Leica? And "most" shooting Leica rangefinder?
You wouldn't believe. There are absolutely toxic communities out there focused on mocking whoever uses a Leica. It's truly puzzling.
And people actually wonder why the outside world looks upon us with disdain.
I thought yoiu were referring to some comments in this thread.
Anything about Leica even in a Leica forums becomes a forum for class struggle. A lousy pic shot with a $35 Takumar is a badge of courage while a lousy pic shot with a $3400 Summicron solicits anti dentistry remarks!
Haven't dentists gone Phase One latest though ? Leica anything at any price point sells for a pocket change, comparatively.
Are these purchases for Leica's by real photographers - those who'll actually go OUT and shoot and process/develop,etc. - or investment pieces added to those with ever so growing portfolios?
A common question is to ask whether that Leica purchase is to use or collect? People don’t leave such comments about Phase One.
Largely unrelated to this thread, but the amount of hate towards Leica is something I fail to understand. I wonder if it's more of an Anglo-Saxon thing. Are Leicas seen more as a status symbol in the US and UK rather than mainland Europe perhaps?
Plenty of senior amateur photographers spending tens of thousands of $ on huge plasticy manlet toys like the Nikon Z9 or any of those pixel shifting triple sensor mega sonic AF Sony mirror less monstrosities - and nobody will bat an eyelid.
However - when someone gets a Leica M camera, a marvel of engineering that will keep working like a Swiss watch long after those Z9 have become little more than another dusty Playstation joypad in a storage box - then that is met with suspicion. Yep, the owner only wanted an investment. Yep it's just another Patek Philippe.
Anecdotally, I've been travelling a lot around Europe for work lately. I keep seeing younger film photographers out and about and we always stop to chat. Some of them will be using some kind of compact camera. Many will be using a Leica rangefinder. And by using I mean using. We always exchange contacts afterwards, and I'm always surprised at the quality of their work with those Leicas. And even with those Mju II.
I don't have an M and will probably never own one (I like my Rolleis too much) but it's a great company and I wish them every success during the film photography revival. Looking forward to Pentax jumping back in, too!
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