I used to use a longer strap - so that it could go diagonally across my body.Dangling an RB67 from a neck strap might, though.
There is even three ways to attach the strap:
How cool is that?!
I used to use a longer strap - so that it could go diagonally across my body.Dangling an RB67 from a neck strap might, though.
No, those would probably be vintage camera enthusiasts. In order to impress members of the general public or even many other enthusiasts, stuff needs better brand recognition.real douchebags would be using cascas, red flag 20s, and gammas rather than common or garden leicas.
You know if you lick yourself clean like a cat, the Leica becomes a part of you.I’ve only so much as held a Leica in my hands once (it was an SL).
I haven’t washed my hands since.
LOL. you have never been to a forum where people use giant negatives from cameras / gear that cost as much as my parents' first house, drum scanned and hosted / hot-linked and its an enormous file that can't even be viewed except as weird abstractions. its like photographers going up to a print under glass at a gallery or museum or someone's house on the wall &c and inspecting the grain. photographer are strange.The digital guys have their gear snobbery too. They seem especially enamored with megapixel counts and don't seem to notice that they're throwing most of them away when they re-size their enormous photos down to a usable size to show them.
I just developed kodak vision3 500t form Minolta CLE.
Some 40mm minolta f2.8 and a few Leica 28mm F2.8. I have to say the leica shots look so much better. Same lighting. Same aperture. Same location.
I did not expect such a difference.
True about everything especially the shutter accuracy. This is why I shoot electronic shutters.Lenses are what matter most. Cameras need to advance accurately, hold the film flat, be light tight, and hopefully operate intuitively and reliably, and the shutter needs to be reasonably accurate (if in the camera, but similarly in a lens), but the lens you attach can make a big difference. Something about German lenses, but many great Japanese ones also.
No, those would probably be vintage camera enthusiasts. In order to impress members of the general public or even many other enthusiasts, stuff needs better brand recognition.
I used to use a longer strap - so that it could go diagonally across my body.
There is even three ways to attach the strap:
View attachment 278461
How cool is that?!
accurate shutters are for hacks. gotta be the camera, and feel the light, anything else, might as well be using one of those dreaded battery operated hassle gladEVs and be tethered to a Honda generator while doing street work.. I hear some of them were installed with KITT's voice from knight rider and every time you press the shutter it says "good job" when I use Leica I feel the buzz, mine's special though has the voice of the HCB saying "merde, raté!" pretty much every exposure I make. it knows im not being the camera and feeling the light.True about everything especially the shutter accuracy. This is why I shoot electronic shutters.
The digital guys have their gear snobbery too. They seem especially enamored with megapixel counts and don't seem to notice that they're throwing most of them away when they re-size their enormous photos down to a usable size to show them.
That's a dumb statement.
That's a dumb statement. By your argument, no one should use large format cameras. High-megapixel cameras serve the same purpose; they allow making large high resolution prints. For those of us who regularly sell large prints, it isn't 'snobbery,' it's professionalism.
Leica Camera AG marketing texts are copy of late Soviet time official language. Very pathetic about something which isn't really special.
I drive a battered Toyota. I have never wanted a Mercedes, although some models from the 1930s looked magnificent.I shoot Canon New F1s, and F1ns, I have never wanted a Leica.
Would you rather have your car repaired by an excellent mechanic who uses Craftsmen tools, or a lousy one that uses Snap-On?
Well said.
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