Kodak ST-1 Test for residual silver

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DanielCTracht
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Hello there,

A couple of quick questions with regards to the ST-1 test process:

Once the paper has been fixed, is the paper given a full wash and then tested, or does the test take place directly after fixing?

If there is a wash inbetween fixing and testing, would a hypo clearing bath interfere with results?

Thanks!
 

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I just give a quick rinse, but someone may have a better answer.
 

dancqu

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Hello there,
A couple of quick questions with regards to the ST-1 test process:

Once the paper has been fixed, is the paper given a full wash and
then tested, or does the test take place directly after fixing?

If there is a wash inbetween fixing and testing, would a hypo
clearing bath interfere with results? Thanks!

The ST-1 test uses sodium sulfide as a test for silver. If silver
is present a silver sulfide stain will be produced. Fixers work by
forming soluble complexes with the other wise insoluble
undeveloped silver halides in the emulsion. So the
fixer carries silver.

The test's sulfide will combine with that attached silver and
give a false reading. Give the paper a thorough cleaning. Hypo
clear after fixing only assists in the removal of the fixer. Dan
 

dancqu

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A correction.

Fixers work by forming soluble complexes with the other wise
insoluble undeveloped silver halides in the emulsion.

That within quotes is incorrect. The fixer's action is to form
soluble silver compounds. The halide be it chlorine, bromine,
or iodine, is not a part of the complexes formed twixt the
fixer and silver.

The thiosulfate ion is the primary agent in removing the
silver and in the presence of iodine the only agent with
the necessary affinity. The ammonium ion's affinity
for silver is much less. So, with films containing
extremely insoluble iodized silver rapid fixers
become slow fixers. Dan
 

BobNewYork

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Dan:

Am I wrong in thinking that today's film emulsions increasingly use silver iodide? If so, does that mean that sodium thiosulphate is a better fixer for modern emulsions?

Bob H
 

jim appleyard

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Dan:

Am I wrong in thinking that today's film emulsions increasingly use silver iodide? If so, does that mean that sodium thiosulphate is a better fixer for modern emulsions?

Bob H

IDK, but according to Anchell/Anchell & Troop, he/they speculate that sod. thio is inferior to ammon. thio with newer emulsions. I'll have to look up the exact quote/phrase.
 

BobNewYork

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Maybe I've got it wrong about increased use of iodide in modern emulsions - I just seem to recall reading it somewhere. I know that Bill Troop and Steve Anchell concluded that ammonium thio was better for modern emulsions, that's why I was surprised when Dan pointed out that ammonium doesn't fix well in the presence of iodides. I tend to overfix (8 minutes) anyway as ammonium doesn't reduce density like sodium in extended fixes. The only reason I do it though is because I limit my 1.5l of fixer to twenty films and use the three times clearing rule based upon the last batch. That way my fixing time is standard each time. My brain hurts a little less that way!!

Bob H
 

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Modern emulsions use up to 10% iodide, but emulsions from about 75 years ago were typically maxed out at about 3%. Fixing with Ammonium Thiosulfate is always faster regardless of emulsion type, so in a difficult situation the Ammonium salt is the way to go. Since Iodide represents only a max of about 10% of the halide present, the effect is not huge, but can be seen, particularly in exhaustion of a fix used with high iodide films.

PE
 

BobNewYork

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Modern emulsions use up to 10% iodide, but emulsions from about 75 years ago were typically maxed out at about 3%. Fixing with Ammonium Thiosulfate is always faster regardless of emulsion type, so in a difficult situation the Ammonium salt is the way to go. Since Iodide represents only a max of about 10% of the halide present, the effect is not huge, but can be seen, particularly in exhaustion of a fix used with high iodide films.

PE

Thank you sir. Appreciate it.

Bob
 

dancqu

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Dan: Am I wrong in thinking that today's film emulsions
increasingly use silver iodide? If so, does that mean
that sodium thiosulphate is a better fixer for
modern emulsions? Bob H

As for the amounts of silver iodide in today's emulsions over
years ago, I think Ron has answered that question. I seem to
recall some to-do over the Delta and T films when brought to
market around 20 years ago. Particular note was taken of
their iodide content. I'm quite sure there must be some
update versions of older emulsions which do not have
significantly increased iodide content. Certainly not
the increase seen in the T grain films.

Sodium has no affinity for silver so takes no part in the
removing of silver. Ammonia in solution does have some
affinity. I've read of it being used alone as a fixer in the
case of chlorided only silver emulsions. The chloride of
silver is the most soluble of the silver halides.

At the other extreme is silver iodide. It and silver sulfide
are two most insoluble salts of silver. The ammonium ion
has nearly no effect upon the iodide while the thiosulphate
ion with it's greater affinity for silver will, in some surplus,
clear the silver from an emulsion.

In all cases, chloride, bromide, or iodide, the ammonium
ion acts as a fixer; the more so with the chloride and least
so with the iodide. Temporary though is it's attachment to
silver because the thiosulfate ion, with it's much greater
affinity for silver, 'steals' the silver from the ammonium
ion. Both the ammonium and thiosulphate ions are
active in attaching silver where rapid fixers are
used. So Ron, on a technicality, is correct.
Rapid fixers are faster in all cases. Dan
 

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Well, to get a bit more specific and technical, Sodium takes no part in the fixing reaction other than being a balancing positively charged ion in the fixer. Ammonium ion takes part in the fixing reaction by being a silver complexing agent itself. So, both Ammonium and Thiosulfate ions take part in the fixing action and their action is superadditive. In addition, the Ammonium ion is a positively charged ion in the fixer, and it is about 2/3 the size of a Sodium ion and much much smaller than Thiosulfate.

Therefore, wherever Ammonium ion replaces Sodium, the complex of Silver + Thiosulfate is smaller by a rather huge amount, and therefore diffuses out of the coating more rapidly.

You therefore have several things on your side in Ammonium Thiosulfate fixes. The superadditivity, size and diffusivity effects all add up to increase fixing rate.

Halide ions of any sort slow fix rate down, and therefore buildup of halide with use slows down fixation by helping to exhaust the fix. The fix is exhausted two ways, by buildup of halide ions and by use of Thiosulfate ions. But, in Ammonium Thiosulfate fixes, since both Ammonium ion and Thiosulfate ion are complexing agents, the fixer has an effective concentration of useful complexing agent of about 2x that of a comparable Sodium Thiosulfate fix. It can be even larger, depending on pH and the nature of the 5 or so complexes that can form between the various reactants.

By analogy, larger ions slow down fixation and therefore you must NEVER mix a fix with Potassium Thiosulfate or Calcium Thiosulfate or Magnesium Thiosulfate, as these large positive ions will effectively poison a fix.

There is fixing in a larger expanded version.

PE
 

BobNewYork

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WOW! I had to ask, didn't I:D

Appreciate the insights guys. So it Ammonium all the way for me.

BTW PE - someone on another thread who shall remain nameless, :tongue: is accusing you of suggesting that C-41 fixer, (buffered Ammonium Thio as far as I know) is not suitable for B&W work. Why would that be?

Bob H
 

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Bob;

The C-41 fixer is usable for color and B&W. Many B&W fixers are not suitable for color. It is a question of pH.

Now, to go further, the C-41 RA fixer may not be suitable for some B&W films because of the chemical composition of the fixer and the hardness (or lack thereoof) of certain films.

So, it may depend on fixer and film.

PE
 

RPC

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So, for B&W, should regular C-41 fixer be used at normal strength for both film and paper?

RPC
 

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Well, what is the "normal" concentration of C-41 fixer for paper. There are no suggestions by Kodak. And, due to the different level of silver in B&W and color, what is the normal concentration for B&W film?

You can use it, but you are on your own and you must use your own testing to determine that.

PE
 

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By normal, I meant working solution strength for C-41. For B&W, would you suggest starting testing at that strength for film and paper and just adjust times for 2x clearing? I was thinking that for paper it might be diluted some, perhaps half working solution strength.

RPC
 

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IDK your paper, film or workflow. The only way to be sure is by testing with the retained hypo and retained silver tests. You would have to do that. Otherwise there are no suggestions anywhere for the correct values of color for use with B&W.

PE
 

BobNewYork

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OK - starting to breathe a little easier!!

I've done the tests with Tri-X, TMX and TMY, (the older version) and they were fine. Also done then with Polymax, Polymax-Art, Polycontrast, MGIV and MGWT - fine again. I use the C41 fixer replenisher diluted 1+4 for both film and paper - though I'm sure a higher dilution would be fine for paper.

Thanks PE - feeling better!!

Bob H
 

RPC

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What were your times for TMX and MGIV?

RPC
 

BobNewYork

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I use 10 min for all films and 2 min for paper. Paper fix I toss and the end of each session.

For film I mix up 1.5 litres of working strength, (because that's my largest tank). I figure a recommended 25-30 films per litre and a half and do only twenty, (or throw it after the first batch that takes me over 20.) I tested clearing times after 20 films and it was 3 minutes. Based on the Anchell / Troop recommendation of 3X clearing I do them all at a 10 minute standard time. The reason I'm not so bothered about over-fixing is Troop / Anchell again who suggested that ammonium thio doesn't begin to bleach like sodium thio. Seems to work for me. I would probably test for each batch if I used sodium thio as over-fixing is as bad as under-fixing by all accounts.

Bob H
 

dancqu

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The reason I'm not so bothered about over-fixing is
Troop / Anchell again who suggested that ammonium
thio doesn't begin to bleach like sodium thio. Bob H

I haven't the Darkroom Cook Book so do not know just what
was written with regard to sodium thio and bleaching of the
image. With 150 years of it's use the darkroom community
should have well in mind it's short comings and how well
it compares with A. Thio.

Comments this NG usually refer to a very protracted fix
being a cause for bleaching. Most commentary refers to
A. Thio. Most use A. Thio.

A. or S. Thio., the essential ingredient is thiosulfate
which is by itself, if anything, a reducing agent.

S. Thio. as a dry concentrate with Very long shelf life
works well with my current low volume of darkroom
work. I mix it fresh each session, film or paper.
Good for a session with no additives. Also
odorless. I believe Anchell's 'plain' fix
is no more than S. Thio. Dan
 

BobNewYork

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You're absolutely right Dan. One shot, right time - sodium or ammonium doesn't matter,they both do a good job.

I go through stages where I may process between 5 and 20 or more films a day so I just wanted to standardize my time without having to run clip tests for each tank load. This way I know that all my films are properly fixed and I felt more comfortable with amm. thio. Also means one fixer, one dilution for my film and paper. The fewer variables I have the less prone I am to screw up. And, trust me - I'm well prone to screwing up.:tongue:

Bob H
 

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Acid fixes are more prone to bleach highlights in images than neutral or alkaline fixes. It is a very slow reaction requiring a half hour or more to see any reaction, so I would not worry too much about it.

PE
 
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