Kodak Safety film 5063: an unexpected gift ;-)

Paris

A
Paris

  • 0
  • 0
  • 17
I'll drink to that

D
I'll drink to that

  • 0
  • 0
  • 89
Touch

D
Touch

  • 1
  • 2
  • 91
Pride 2025

A
Pride 2025

  • 1
  • 1
  • 108

Forum statistics

Threads
198,368
Messages
2,773,672
Members
99,598
Latest member
Jleeuk
Recent bookmarks
0

Gimenosaiz

Member
Joined
Feb 4, 2014
Messages
189
Location
Spain - old
Format
Multi Format
Hello!

I purchased a Lloyd bulk film loader in USA. It came with a roll inside. I didn't know wich film it was but I had a clue ... there was a fact-sheet of Tri-X Pan inside the box.
So I shot ten photos at ISO 400 and developed the roll with rodinal 1+100

It is Kodak Safety film 5063 aka KODAK TRI-X Pan Film.
I've found this table in the web:
http://www.taphilo.com/Photo/kodakfilmnumxref.shtml

And this one in the web "archive":
https://web.archive.org/web/20150919064145/http://www.kodak.com/global/en/service/faqs/faq0034.shtml

It seems that there are more than 30 meters left ... it weights more or less the same than the loader I have with 30meter of HP5+
I shot some pics and developed the roll with rodinal 1+100:

1.


2.


3.


What do you think?
Should I give it a second chance with a more agressive soup?
Best regards
Antonio
 

Wallendo

Subscriber
Joined
Mar 23, 2013
Messages
1,409
Location
North Carolina
Format
35mm
Try shooting it at ISO 50 or 100.
I found a similar roll on a used bulk loader and had fun figuring it out. I optimized my process right as the roll ran out.
 

LAG

Member
Joined
Aug 8, 2016
Messages
1,006
Location
The moon
Format
Multi Format
Hello!

What do you think?
Should I give it a second chance with a more agressive soup?

Excuse me Gimenosaiz

You should give the film not only a second chance, but additional chances as well ... enjoy every single mm of that gift! If I were you, I would treat it differently, right, but not necessarily with an agressive developer.
 

Michael Guzzi

Member
Joined
Jan 15, 2016
Messages
178
Location
Caxias do Sul/RS, Brazil
Format
35mm
I have bought an alden 74 with the same stuff inside. Mine has to be at EI 25 for good shadow detail. I use HC-110, it gives me surprisingly low fog, though the grain is huge.
 

darkroommike

Subscriber
Joined
Mar 22, 2007
Messages
1,712
Location
Iowa
Format
Multi Format
5063 is old emulsion Tri-X, your negatives are flat but not really underexposed, try developing a test for 25% more time, and bracket exposures to find an EI you can live with.
 

MartinP

Member
Joined
Jun 23, 2007
Messages
1,569
Location
Netherlands
Format
Medium Format
Judging by the difference between the perforations and the film-base it seems to be under-developed and probably under exposed (there are highlights, but that could come from electronic post-processing and a contrast 'balance'). If you have a picture of the negs, without reversal or further processing, then it would be handy.
 

Craig75

Member
Joined
May 9, 2016
Messages
1,234
Location
Uk
Format
35mm
I wouldnt be looking at what to do differently at the moment but how to make prints of your really nice shots. You should be able to make some cool prints with those negatives if you play around with them - it would be a crime to your lovely model not too.

After that you can decide what effects you can get from the film with the next load.
 
OP
OP
Gimenosaiz

Gimenosaiz

Member
Joined
Feb 4, 2014
Messages
189
Location
Spain - old
Format
Multi Format
Try shooting it at ISO 50 or 100.
I found a similar roll on a used bulk loader and had fun figuring it out. I optimized my process right as the roll ran out.
Hi,
Right, this is something I'l try !!
Thanks!

Excuse me Gimenosaiz

You should give the film not only a second chance, but additional chances as well ... enjoy every single mm of that gift! If I were you, I would treat it differently, right, but not necessarily with an agressive developer.
Hello, LAG!
Of course I'll give it all the chances ! Any suggestion?
Best regards!

I have bought an alden 74 with the same stuff inside. Mine has to be at EI 25 for good shadow detail. I use HC-110, it gives me surprisingly low fog, though the grain is huge.
Hi,
I'll try HC-110: 1+31 for 7'30" ...
Thanks!
Cheers!

5063 is old emulsion Tri-X, your negatives are flat but not really underexposed, try developing a test for 25% more time, and bracket exposures to find an EI you can live with.
Hi!
I really belive they are flat and underexposed. I think I'll shoot at 100 and develope at 400 with HC-110, what do you think?
Thanks!
Cheers

Judging by the difference between the perforations and the film-base it seems to be under-developed and probably under exposed (there are highlights, but that could come from electronic post-processing and a contrast 'balance'). If you have a picture of the negs, without reversal or further processing, then it would be handy.
Hi,
I think it is underdeveloped and underexposed, right. I'll try to do some pics of the negs !!
Thanks!
Regards!

I wouldnt be looking at what to do differently at the moment but how to make prints of your really nice shots. You should be able to make some cool prints with those negatives if you play around with them - it would be a crime to your lovely model not too.

After that you can decide what effects you can get from the film with the next load.
Hi!
You are right! I'll do it!
Thanks
Cheers
 

LAG

Member
Joined
Aug 8, 2016
Messages
1,006
Location
The moon
Format
Multi Format
Hello, LAG!
Of course I'll give it all the chances ! Any suggestion?
Best regards!

Hello Gimenosaiz

Glad to hear that!

I would load +|- 9/12 exps . EI Box Speed (same scene | Bracket) . Cut clips . Pre-wash . Dev: (Clip) | Fine grain developer) . Fix: (Clip = X) | X = (x/2 + x/2) . Double final wash

Best of luck!
 

Fixcinater

Member
Joined
Dec 11, 2008
Messages
2,500
Location
San Diego, CA
Format
Medium Format
I too had similar experience recently. I ended up using semi-stand HC110 1:100.

Still a lot of fog so I shoot it at 50 or 100, but it's definitely worth shooting.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom