Completely agree!I would guess Plus-X would be much more doable. Or Ektachrome IR. But if they're going to control the whole development/scanning pipeline, then they could take it on themselves to be that one lab that will process Kodachrome. I'm not holding my breath though, that would be a massive undertaking. I'm just happy to be getting ektachrome back. And in the meantime, I can shoot that stuff that's been in my fridge!
Well HIE was always quite unique with no other films showing the same characteristics. The tmax3200 had competition from D3200 which also come in 120If there is a single bw Kodak film that should come back, then TMax 3200 is a good candidate. There isn't anything in Kodak's offerings that can be considered as a replacement. It just seems rational to me. Yes, I know that HIE doesn't have anything that can be considered a replacement either, but let's not get too excited.
But you can order RA-4 and have it shipped to you just as easily in TX as IL. If you wanted to.
Well HIE was always quite unique with no other films showing the same characteristics. The tmax3200 had competition from D3200 which also come in 120
I wasn't saying that TMax3200 is something that no other manufacturer provides. What I meant was that it is something that Kodak doesn't provide at the moment and that it's more or less the only thing missing from Kodak's bw films lineup. Besides, the new E100 will not be unique, it will be another ISO100 E6 film.
B&H only have 11x14 paper. They ship no RA-4 chemical kit.
Ooh, while I enjoy Eastman Double-X and Tri-X, I really have an insatiable nostalgia for Quattro-X. I can't wait for Kodak to bring it back in 9.5mm motion picture, 616 autographic still film and 6x13 dry plate.(Sorry I couldn't help myself).
Sorry for the shameless proselytization, but I urge you to look at some stereo (3D) slides in a backlit handheld viewer. I love printing in the darkroom, but it's equivalently a tonne of fun to shoot stereo slides.
I would guess Plus-X would be much more doable. Or Ektachrome IR. But if they're going to control the whole development/scanning pipeline, then they could take it on themselves to be that one lab that will process Kodachrome. I'm not holding my breath though, that would be a massive undertaking. I'm just happy to be getting ektachrome back. And in the meantime, I can shoot that stuff that's been in my fridge!
I'd be more inclined to hope for new emulsions, utilising the very latest technology Kodak can manage, not antique reproductions.
I expect that PE is referring to the Eastman Chemical Company, which is no longer part of Eastman Kodak: http://www.eastman.com/Pages/Home.aspxAFAIK, Tennessee Eastman produces most major organic chemicals for Kodak now.
Sooner or later in this thread, just about every film Kodak ever made will have been suggested for reintroduction, probably on the spurious basis that "if they can do it for Ektachrome they can do it for [insert name of film here]"
And we've already got one fantasy-merchant suggesting the reintroduction of K'chrome+processing.
I'd be more inclined to hope for new emulsions, utilising the very latest technology Kodak can manage, not antique reproductions. And even then I wouldn't be holding my breath.
Ok, so all out madness and speculation is going to start here in the forum? I'm all in then!!
Bring back..
Kodachrome 25, 64, 200, the never released Kodachrome 400
Ektachrome 64T, 320T, Elite Chrome "Extra Color", EPP 100, EIR
Kodak Gold 100
Plus-X
Verichrome Pan
Panatomic-X
Royal-X Pan
TMZ
Tri-X Pan Professional
and of course Technical Pan
... i want all of them in 220 format and in 70mm perforated rolls as well...
Yeaaaaaahhhhhhhh
I didn't say they wouldn't, and indeed PE has said it must be reformulated.I don't see why Kodak wouldn't reformulate the new Ektachrome
Sooner or later in this thread, just about every film Kodak ever made will have been suggested for reintroduction, probably on the spurious basis that "if they can do it for Ektachrome they can do it for [insert name of film here]"
And we've already got one fantasy-merchant suggesting the reintroduction of K'chrome+processing.
I'd be more inclined to hope for new emulsions, utilising the very latest technology Kodak can manage, not antique reproductions. And even then I wouldn't be holding my breath.
Reversal films are poor when used for Motion Picture due to reproduction problems.
PE
Nzoomed you always write with such confidence and authority, as though you really know what you are talking about, have an inside line to all the manufacturers and fully understand the complexities of process engineering, manufacturing, sales & marketing
Yet, over and over again, in this thread, and especially in the Ferrania thread, it has become obvious that the very opposite of all these things are the case.
Accordingly, I'll stick to listening to people whose opinions are worth listening to.
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