dcy
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Me too. Photos of the box look really nice.
I'm not pretending that what's inside is anything to be excited about, though. I mean, I'd be all over if they brought back something fun like Portra 400NC, Ektar 25 or Ektar 1000. My excitement and money for crappy new films will be reserved for those from Harman, Inoviscoat, Adox and Lucky...
Me too. Photos of the box look really nice.
I'm not pretending that what's inside is anything to be excited about, though. I mean, I'd be all over if they brought back something fun like Portra 400NC, Ektar 25 or Ektar 1000. My excitement and money for crappy new films will be reserved for those from Harman, Inoviscoat, Adox and Lucky...
I don't like calling films "crappy". Rome wasn't built in a day. In any case, I am glad that there are a few companies trying to make color negative film. I will continue to buy the ones from Harman and Inoviscoat, understanding that they are not competitive with Kodak. Buying those films is a bit like an act of charity --- an effort to fund a project you want to support.
I am sure I will buy a couple of rolls of Lucky because I like to try everything once, but I will focus on Harman and Inoviscoat because I want to keep Western manufacturing alive.
Ektar 25 and 1000. Can you imagine? What a dream...
"Domestic"? This is an international forum.
They make it clear that the exciting part of the announcement isn't supposed to be the branding. What we are meant to be excited about is that they are now selling directly to distributors, and that they've invested in manufacturing and have increased production. I think it's perfectly reasonable to be happy about those things.
I am sure that Harman, Invoiscoat, Adox and Lucky are delighted that one person on a photo forum thinks they are "crappy".
Personally I am grateful that these companies, large and small, are trying to perfect colour film and provide some competition and future-proofing to the market.
That sounds rather dramatic to me!I don't want to live in a world where there is only one manufacturer of color negative film.
Todays color films are either yucky junk, boring and indifferent and/or costs entirely too much.
Todays color films are either yucky junk, boring and indifferent and/or costs entirely too much.
To quote my teenage gum snapping hairspray cousin from 1989 'That new Fuji stuff is just ugh yuck'
Nothing changes.
Since people's ideas of what costs too much may vary widely can you spell out which films are not yucky junk, boring and indifferent?
Just so we know what we shouldn't buy and what we can't afford to buy.
Thanks!
At that time, lots of people in the US had the sentiment that the Japanese economy was going to take over the world and started to become somewhat hostile to their products, even though they were almost always of the highest quality.
This is correct, I shot and developed fresh ColorPlus 200 (Dated 2027) few weeks ago and edge markings say "Kodak Film" and "200-8".I do believe ColorPlus specifically is marked as "KODAK 200-8" on the edge markings.
That could probably confirm Kodacolor 200's "real" identity, though I guess ColorPlus in reality was the "fake" identity, given neither Kodak ever bothered changing the cassettes' labeling, having them still carry the Kodacolor 200 branding.
Todays color films are either yucky junk, boring and indifferent and/or costs entirely too much.
Ektar 25 and 1000. Can you imagine? What a dream...
Ah, Ektar 25, I'd love to use it again. Of the last 3 or 4 rolls I tried, half were ruined. A good one (at EI=12):
https://worldofdecay.blogspot.com/2021/03/expired-film-treasure-120-size-kodak.html?m=1
My last roll of Ektar 25 was shot at 12.
Nice to see how a good example performs. Mine had dropped to ISO 1 or so. This frame involving the sun and a cross-screen filter was about all that was on it.
View attachment 410506
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