Folks, I don't think the younger cohort has that fascination about Kodachrome. Although quoting Flavio might be slightly out of context, in some ways it is not. Heck, I would extend that Slide films are not given so much attribution to have "the film look" (I disagree)
If you are very present in Instagram and you see what's the aesthetic that most film users of age <25 years look for. You'll see it is what I describe: lo-fi.
Saying that as a 30 year old that was able to shoot it, thanks to APUG, but even then (2009-2010) it was forums like here and, oh bless, the
Kodachrome project. That should have come out as a photobook, and I think Dan just could not push that project further when I last asked him 2013-14. He had been a member here but I forgot his handle and think is not currently active. Honestly, it saddens me because that was a few years before the boom of zines and ample publication. I think photographers like him in an individual level had done quite a bit to promote Kodachrome during its last years.
Maybe it would be different with the years that have passed and how the legacy is viewed nowadays. But if some photography project of that scale, revolving around Kodachrome, didn't come to fruition then the film itself won't.
I disgressed here of course, as we have been discussing an E6-C41 film bearing some characteristics and the name, but still, it's overly romanticised.
IMO it's important to have a sustainable E6 market. I think it has its challenges because it just does not have the same perception bearing the desired "film characteristics" nor convenience (exposure latitude).