...BTW, I've only tried a couple of times, but I've never had much luck pushing "Select" Kodachrome 200....
You know, I fely a little uneasy after making this statement. That's because it was stupid. I dug up those slides today. For one they're not that bad-a little dark and red. In fact, they're really good, considering I was shooting in poor, low, availble light with a 200 speed tranny rated at 500; with a tungsten light source no less.
My apologies KL.
Not that you did this, but, the worst thing you can do to a film you are unfamiliar with is test it.
The best thing you can do is shoot it long enough to get to know it, becomes friends with it. Treat it as if it were the only in film in the world and really connect with it.
Film is like a woman. You can either dabble with a bunch of them and not really become spiritually connected, or, you can find one who really does it for you and commit to her, then reap the rewards of having a friend you can depend on for life.
Until it gets discontinued....
I'm trying to use Kodachrome as much as I can...I can only shoot so much in stereo though! Maybe I should try to dig up a smallish 35 rangefinder with really good glass so I can shoot more of it. I just can't justify shooting 35mm with the not so great 35mm cameras I have. I never really built up a decent 35 system...maybe an old Leica will find its way to me or something. Economics of it aside, it seems such a shame that such a good film only comes in little size!
Gee, and it used to come in sheets at least up to 8x10 in size.
I have an empty 5x7 box that Kodachrome was packed in, and I have seen boxes of Kotavachrome, a companion sheet product.
PE
Medium and large format cameras can only go so many places and work only so fast.
I went Leica for Kodachrome a few months ago, well worth it. For about $1,400 to $2,000 you can have a fine rig for the film. An M6 and a 35mm 2.0 Summicron. Get the aspheric version of the summicron if you can. The Leica aspheric lenses are most likely the sharpest for 35mm in the history of photography.
You know, I have about a half dozen of my grandfathers 4X5 Kodachromes, and man let me tell you! !!
I have a box (still sealed!!) of 4x5 Kodachrome dated 1942. Sealed, and yet esentially useless. But a guy can dream from time to time...
I would pay a high price for that box of 4x5, I would never shoot it though. The project I am doing invlolves a lot of the historical retrospective as well my final images.
I happen to be collecting things like that for a future still life to be shot on Kodachrome 25 in my Xpan, it will be something I need to get sooner or later.
By the way, that 4x5 is most likely K12, not K14 so souping it for color is going to be next to impossible.
PKM,
I am well aware of what it is, why it is and how it became, I have been doing this for about 30 years now, but to collect film itself is like buying a Ferrari and parking it in the garage, collect the box, that is great, but just like a Ferrari, I would never let it sit in the garage, car were built to drive, cameras were built to shoot and film was built to capture...
Dave
George: OT ... after I left home, my baseball cards remained with my parents. During a phone conversation sometime later they asked what I wanted them to do with them. This was early 70s. I had a TON of 1959 cards ... Mantle, Maris, Berra, most of the Dodgers, yadda, yadda, yadda.
You know the rest of the story... Yeah, that's why we're poor.
...The project I am doing invlolves a lot of the historical retrospective as well my final images....
Dave,
You and I are of the same school - it's why we are poor. Every Christmas I opened my boxes with the Lionel train cars and put them in my train set.
I should have been smart enough to realize that they should have been put away unopened so 45 years later I could sell them on eBay!
Some of us just never learn!
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