Yeah, Kodachrome was a film that I didn't use all that regularly toward the end -- when I shot slides I was usually using Elitechrome and Provia because having the extra ISO speed was nice. But I always knew that, if I wanted to shoot Kodachrome, it was there, waiting for me to pick up a roll or two. I took it for granted. I just assumed that, since there was no better archival product on Earth, that it would always be around. To me, the more complicated developing process was a trivial matter when thinking about what we'd lose if Kodachrome production ever ceased. But now, it's a reality we must accept. Archiving film to digital is not a simple matter. The biggest problem is the media the archives are recorded onto, most of which doesn't have the sort of storage life you would expect any archive to possess. Film is inherently better in this respect.