I picked up a very clean Kiev 4 this morning, complete with Jupiter 12 35mm 2.8. For £20 I thought it was worth the risk, I've checked it over and all seems good prior to putting a film through.
I'm unfamiliar with Kiev/Contax cameras, my question is there don't appear to be any frame lines but the viewfinder certainly looks to be 35mm wide angle. Am I to assume the 50mm lens shows a smaller frame and 35mm uses the whole finder, or am I missing something?
I picked up a very clean Kiev 4 this morning, complete with Jupiter 12 35mm 2.8. For £20 I thought it was worth the risk, I've checked it over and all seems good prior to putting a film through.
I'm unfamiliar with Kiev/Contax cameras, my question is there don't appear to be any frame lines but the viewfinder certainly looks to be 35mm wide angle. Am I to assume the 50mm lens shows a smaller frame and 35mm uses the whole finder, or am I missing something?
That's surprising on one hand, but not on the other. The front element has a lovely pink bloom so it's at least single coated, and is deeply sunk within the lens body - no need for a lens hood. OTOH the rear element is a huge lump of convex glass so there's a lot of light bouncing around. I'm looking forward to developing the first film, hopefully tomorrow as I have a backlog of C41 processing. The camera handles much better than anticipated, only the light meter is temperamental which I'm lead to believe is to be expected on the Kiev 4.What a discovery!
Yes, I used and using Jupiter-12. It is great lens, with only one huge disadvantage. It catches flares like none of the other lenses.
That's surprising on one hand, but not on the other. The front element has a lovely pink bloom so it's at least single coated, and is deeply sunk within the lens body - no need for a lens hood. OTOH the rear element is a huge lump of convex glass so there's a lot of light bouncing around. I'm looking forward to developing the first film, hopefully tomorrow as I have a backlog of C41 processing. The camera handles much better than anticipated, only the light meter is temperamental which I'm lead to believe is to be expected on the Kiev 4.
Love the lady in the fur hat! Are all the shots on that site taken on the Jupiter 12? I don't speak Russian so it's impossible to tell. Some very nice work there.It doesn't matter how deep the front element on J-12 is. You'll get multiple flares with shape of USSR quality emblem.
This is most likely one of biggest collection of quality film images taken with J-12:
http://rangefinder.ru/glr/showgallery.php?device=19
I've never seen a Kiev 5 in the wild, only in captivity behind glass.Kiev 5 has frames lines and a wonderful viewfinder. The generous and contrasted rangefinder is like that (almost) of Leica.
The gigantic problem is that the lens design is aborted almost immediately. The external bayonet does not include the mounting of any lens (Jupiter 8 and Helios 94 - 50mm only).
It exists in some private collection or in some Soviet museum, a lens for this camera... the extraordinary Rekord-4 !!!! 0.9/52mm
Those finders look great but I'm not sure how practical they'd be. For one thing the view is a little pokey, and I can't imagine many people using all those focal lengths on a rangefinder camera. Also there's no focusing aid. On balance it's easier to guess the extra coverage round the edge of the 50mm view for my 35.They made a turret viewfinder with parallax correction for the Russian rangefinder cameras suitable for lenses from 28 to 135 mm http://www.ebay.co.uk/itm/Soviet-Universal-Turret-Viewfinder-28-135mm-For-Leica-Zorki-Fed/371891312909?_trksid=p2047675.c100011.m1850&_trkparms=aid=222007
Those finders look great but I'm not sure how practical they'd be. For one thing the view is a little pokey, and I can't imagine many people using all those focal lengths on a rangefinder camera. Also there's no focusing aid. On balance it's easier to guess the extra coverage round the edge of the 50mm view for my 35.
That's surprising on one hand, but not on the other. The front element has a lovely pink bloom so it's at least single coated, and is deeply sunk within the lens body - no need for a lens hood. OTOH the rear element is a huge lump of convex glass so there's a lot of light bouncing around. I'm looking forward to developing the first film, hopefully tomorrow as I have a backlog of C41 processing. The camera handles much better than anticipated, only the light meter is temperamental which I'm lead to believe is to be expected on the Kiev 4.
Both my Kievs do the same thing, as does my Contax. There's more advantage to the gearing on these cameras than in a modern lever advance. What year is yours? The first two digits of the serial number indicate the year of production.One issue I've found with the Kiev, and suspect isn't isolated to my copy. The gearing on the film advance/shutter setting knob is such that it's almost impossible to tell when the film has ended. There's no resistance to tension, and advancing the film shredded a couple of sprocket holes, the first time I can ever recall doing so with a camera. Interestingly, when I bought the camera there was an exposed film inside and that had chewed up sprocket holes nearest the cassette, and may be why the camera was abandoned in such good condition as "broken".
In future I'll pay close attention to the frame counter, and not try to squeeze that one last frame out!
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