Possibly, I should start a new thread...
The Jock Sturges interview was so profound, in my opinion, that the "gallery enrapturement/ persistence of vision" syndrome, where one closes one's eyes and STILL sees the work - is STILLTHERE -
Part of the interview, suggesting a commonality shared by all of us:
"What I know that I know.
So here are some things that I know. I know that if I wait for and then work in beautiful light, my chances are better. I know that if I know my models, if we know each other well and there is real affection between us, a good relationship en bref, my chances are better. I know that if I pay close attention to the foreground problem, if I work with a ground that I know well, a ground that is clean and simple, lyrical, my chances are better. I know that if I keep my pictures simple, uncluttered, well focused in both senses of the word, my chances are better.
But I also know that I can do all these things right, perfectly, and make nothing but failures. And then, magically, a good one. And I don't know why this is. Try as I might, only very few pictures ever really succeed. And the agent of their delivery seems to be luck . Sweet serendipity. I try equally hard all the time. Twenty are bad. One is good. Why? We don't get to know."
- Jock Sturges
Twenty to one. That DOES sound like my succcess rate in making "fne art".
Comments?