Doc W
Allowing Ads
...If you can, try to find one of the later models with the upgraded motor.
I purchased one of each brand new and still own both. Two points:...I would recommend that you get the CPP2 if possible. The controls are better, especially the temperature control.
You mean the magic smoke has escaped?
I have a CPA-2 that I've been using for almost 20 years now, have never used a CPP-2. I use it solely for developing B&W sheet film, in Expert drums.
My darkroom can get down to upper 50s in the winter, so it's handy to have the heating function. The heater does a decent job keeping a reasonable working temperature in the water bath against a lower room temperature, but it's not what I'd call a high-precision device. You can't calibrate the settings on the control dial and expect to get exactly the same temperature every time at a given setting, you need to keep checking the thermometer and tweaking. Also, I'd estimate that the temperature drift as the heater cycles in and out can be as much as a degree. It's more than adequate for the film/developer combinations I use, and I don't feel any need to upgrade. But if you're doing processes that require tight control within a fraction of a degree, the CPP-2 might be a better bet.
I also strongly endorse getting one with a late serial number.
I will be developing only b&w negatives, possibly some prints in the cold months when temps wander the most....My darkroom can get extremely cold in the winter so I have to warm it up it with space heaters and the temperature tends to wander from slightly too cold to slightly too warm...Given this, is the CPP still the better choice or will a late model CPA do the job?
I also develop only black and white negatives. My CPA-2 experience exactly parallels Oren's with respect to temperature control. Since I'm frequently processing T-grain films, the real 0.1 degree C control performance afforded by a CPP-2 is important to me. Drifting as much as the CPA-2 does is excessive, in my opinion. Sexton's "process film with precision" maxim seems to have largely come about as a result of his TMAX usage. It's well founded.Thanks, Oren...The main reason I liked my old ATL-3 (now nicknamed "Old Smokey") so much was that I could set the temperature and forget about it.
...That cold water solenoid is a blessing as in the summer my tap water temperatures can end up at 75F (23.8C), so I've standardized on that as my process temperature. Having that "cold" water inlet is helpful at keeping the water bath exactly right, moreso when doing C-41.
Any time other than the summer, my cold water out of the tap is below 75F. The heater in the Jobo can get the water in the bath hotter than it ought to, even if only by a degree or so. Having the cold water inlet makes it easier to regulate that temperature more precisely. This isn't as critical with b/w, but if you do C-41 or E-6, having that precision is a good thing.For some reason, this cold water solenoid function eludes me. When the temperature in my darkroom is, say, 75F, the groundwater is the same or even warmer, but certainly not colder. This must be for a specific climate (but not mine!).
The cold water solenoid function is for those whose incoming (not heated) tap water stays below their process temperature. Here in southern California, that tap water temperature during the warmest months -- like right now -- usually hits a maximum of 81 degrees F. In order to process film at my standard 75 degrees F, I fill a one liter Jobo bottle about 80% full with water and freeze it. Then it goes in one of the CPP-2's slots so the heater can work against it to maintain 75.For some reason, this cold water solenoid function eludes me. When the temperature in my darkroom is, say, 75F, the groundwater is the same or even warmer, but certainly not colder. This must be for a specific climate (but not mine!).
I have owned both and I would recommend that you get the CPP2 if possible. The controls are better, especially the temperature control.
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