If you only have several frames like this, but others that are fine, then I'd suspect the shutter before the development. If the development was uneven, then holding a long strip up to the light should show one side more developed than the other consistently along the whole roll.
If you only have several frames like this, but others that are fine, then I'd suspect the shutter before the development. If the development was uneven, then holding a long strip up to the light should show one side more developed than the other consistently along the whole roll.
Hmm, I think shutter on he IIIf travels the wrong way for the light difference in those shots.
Keep the print fully immersed in the developer.
I agree that this does look like development problem... the fading or graduation is way to even, almost like the shutter slowed down or sped up.
Also uneven development would not start over on each frame. The graduation would continue from the previous frame to the next.
Almost looks like too much polarization. I'm think not in the processing but rather in the capture.
Camera orientation during capture makes it hard for me to believe it could be a polarizer problem. Besides, the IIIf is not very friendly to using a polarizer. JW
Hello, I posted this question in the rangefinder forum thinking that this was probably a shutter problem, but after thinking a little about it I think this is probably uneven development. I shot this frame with a leica IIIf and a Sumitar 50mm lens, using Tri-X 400 rated at 1600 and then developed it using rodinal 1+100 (10 ml+ 1 lt of water) and did stand development for 90 min with only 1 min of initial agitation. I have several frames where one side of the frame is underexposed compared to the other. I am attaching a couple of examples. All help appreciated.
Thanks.
View attachment 92193View attachment 92194View attachment 92195
Well, I'd say it does look like it continues from frame to frame.
NOPE. The gradation continues in the same direction but if it was uneven development the liger side would match up with the darker side of the previous frame. That's not the case in these examples.
NOPE. The gradation continues in the same direction but if it was uneven development the liger side would match up with the darker side of the previous frame. That's not the case in these examples.
These are 35mm frames (which run parallel to the film) and assuming they're whole, the gradient is consistently across the width of the film. Assuming a typical spiral in a tank, the gradient is vertical in the tank.
Given the use of stand development, I'd go with that being the culprit. Shoot a test roll and develop it normally, with the usual 1:00 then 0:10-per-1:00 agitation scheme.
I don't think it's polarisation, because you can see the gradient within non-sky elements, like the statue base.
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