For the person who is in the demographic and the company filling the needs of that demo it isn't a waste of time. Most of us aren't in the demo, and it makes about as much sense to us as shooting film makes to the average suburban soccer mom. One of the biggest foibles is to personalize consumption. You are not your own customer and others are not you. The failure of clients to understand this is one of the biggest challenges of marketing. If the product successfully fulfills a desire it matters not what "most people" think. It is easy for one "in group" (us)to deride another (them). It is also pretty much a pointless exercise.
People who own this camera really need to understand that their photography sucks and no, they can't buy talent. As it is, this MM comes through as a compensation for poor or lacking self-confidence.
This "HCB in a box" camera is absolutely useless to me. I mean, does it have a color mode somewhere or is it really a crippled camera for 2000$ extra dollars?
You cant be nominated as talented if you use a 10 dollar Nikon something and 3 dollar kodak film either.
Umut
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Sure, you might be old enough to remember when an $8,000 purchase included a basement, but those days are certainly not coming back.
[...]
People who own this camera really need to understand that their photography sucks and no, they can't buy talent. As it is, this MM comes through as a compensation for poor or lacking self-confidence.
This "HCB in a box" camera is absolutely useless to me. I mean, does it have a color mode somewhere or is it really a crippled camera for 2000$ extra dollars?
A camera is a tool, nothing more and nothing less, and $50 or $8,000 is simply a personal decision and NOT a waste of time. Both options can lead to good art, or utter crap, and be a total waste of money. Arguments, such as the never ending digi-bashing and film purist attitudes are tiring, and passing judgement on anyone buying a Monochrom is pointless and downright wrong, actually. 1000 rolls of Tri-X is $5,000. I've spent that and much more. And, let's not talk about chemicals, various equipment, paper, etc. At the end of the day, it is what you got to show for it. How many memorable, worth printing, truly special images does anyone get out of a 36, 12, 10, sheets, whatever? Let's not talk about cost effective because once again, it is a pointless argument. Pick a camera, digital, film, whatever, have some fun, and hopefully produce something worth looking at.
A camera is a tool, nothing more and nothing less, and $50 or $8,000 is simply a personal decision and NOT a waste of time. Both options can lead to good art, or utter crap, and be a total waste of money. Arguments, such as the never ending digi-bashing and film purist attitudes are tiring, and passing judgement on anyone buying a Monochrom is pointless and downright wrong, actually. 1000 rolls of Tri-X is $5,000. I've spent that and much more. And, let's not talk about chemicals, various equipment, paper, etc. At the end of the day, it is what you got to show for it. How many memorable, worth printing, truly special images does anyone get out of a 36, 12, 10, sheets, whatever? Let's not talk about cost effective because once again, it is a pointless argument. Pick a camera, digital, film, whatever, have some fun, and hopefully produce something worth looking at.
People who own this camera really need to understand that their photography sucks and no, they can't buy talent. As it is, this MM comes through as a compensation for poor or lacking self-confidence.
This "HCB in a box" camera is absolutely useless to me. I mean, does it have a color mode somewhere or is it really a crippled camera for 2000$ extra dollars?
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