The whole current popular trope about it "being about the process" is terrible IMO.
A. It doesn't really mean anything, to anyone. It's only a pseudo profound, virtue signalling platitude.
B. While "the process" (whatever that exactly means) can be fun and rewarding, its something that is very easily forgotten, likely forever, when life and money get's in the way.
It doesn't make film very resistant to societal hiccups and pressures in the long run.
C. At some point(s) "the process gets old hat, and gets in the way.
I’m just catching up on this thread and this comment stuck out to me. Helge, I fully get where you are coming from in the context that you made it, however, for some/many, the “process,” as tedious as it can be, is in integral part of creation and, again for some/many, is what attracts them to the medium.
I work in several mediums outside photography and without the “process,” I probably would be less interested in pursuing them. For example, the process of creating a drawing through stippling involves many hours of placing a pen on paper, making a dot, lifting the pen, and then repeating. Many who have looked at my work, especially other artists, tell me they could never create work like that because the process turns them off. Yet, for me, the zen of the process is what I like best. After all, Wassilly Kandinsky said, “All drawings start with a dot.”
As others have said, it’s that process of film photography that attracts them. I recently helped a neighbor kid, a 17-year old, complete his photography merit badge toward attaining his Eagle Scout rank. When I told him he’d fulfill all the requirements of the badge through film photography, he was intrigued. Over the course of several months he learned how to bulk load film, properly expose it, develop it, and print it. He had full run of my darkroom. One day, after he’d spent several hours of printing, on his way out he said “Think you for passing on the tradition.”
That meant a lot and I think that speaks to why some of us want to continue working in these antiquated modes of creation, to engage with processes of the past, and, in a way, interact with those who came to the medium before us.