My comment was tongue in cheek. Some people think they are being authentic by adopting yesterday's technology, and go on and on about it, but forget there was technology from the day before yesterday, and the day before that, so all those claims of authenticity sort of ring hollow to me.
I ran a ultra high-end audio website for many years. I went to trade shows and reviewed equipment, and listened to many million dollar systems, some of which were centered around vinyl. I heard more than my fill of arguments about whether vinyl or CD (or SACD or DVD-A or hi-res digital or etc.) was better. Then there were the reel-to-reel guys. I am not sure which is worse: the film vs. digital debate or the vinyl vs. digital debate. I do know that some people are passionate about their choice.
People enjoy doing different things. I say do whatever way you want, and then show me your photographs. Telling me film is better than digital (or vice versa) and then showing me a bunch of crappy photos is not very convincing.
Difficult to tell if it was tongue in cheek because I know people who use some truly obscure formats, but again more because they find it fun than because they think they are better or more authentic. Eh, what do I know with by B&W EIAJ 1/2 inch VTR....I don't even own an Edison phonograph.
The CD vs vinyl debate ultimately hinged, I think, on what you can't hear when you listen to a well mastered CD.....there is an absence of hiss or other analogue noise. Some people find this property very attractive, whereas I find something has been sucked out. Also I think I miss the upper harmonics because I *can* enjoy 24/96 digital audio, it feels the same as vinyl even if it sounds subtly different. I am blessed with exceptional hearing, I've even been the subject of a study because of it (could hear to over 30kHz as a child and still top out at 21kHz as II approach 50). There's no doubt that with analogue, the medium and machines colour the sound. Having said all that, in an idea world....reel to reel all the way. I don't think it's ever been matched, but it *is* a bitch to keep a RTR machine running properly and in spec. Whereas a CD player, whack the CD in the draw and hit "play". If you liked how it sounded when you bought it, you'll still like it 10 years later assuming it hasn't expired. Whereas your analogue tape recorder will need maintenance and at least one service in that time, your turntable will need a new stylus or two and a belt if it's belt drive.
Which interestingly brings me to photography again, and why box cameras and later Instamatic and other point & shoot cameras with cartridge film or motorised loading were so popular.....most people don't want to faff around. Kodak hit on convenience as a selling point very early on and ran with it....from the first film cameras to the wildly popular box cameras, 126 and 110 Instamatics, even APS was partly an attempt to make more features readily available to people with little or no interest in learning about cameras.
What about today though....are the same people who "discovered" vinyl or even cassettes as youngsters in recent years now discovering film? Or is it a different group of people? Film is certainly not mainstream right now, but could it become so again? I think we need a reliable supply of C41 film at a reasonable price in order for that to happen. I hear it's still possible to buy Fujifilm branded film at Wal-Mart in the USA, but throughout Europe no major store is selling it. I wonder if one will take the gamble if C41 film supply stabilises?