Vaughn
Subscriber
Trendland -- I must disagree with your premise that photgraphy is a represental art form -- it is no less or no more represental than painting or sculpture.
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No worries about that Vaughn : because I disagree with you too (perhaps just in parts - but I would guess in total)Trendland -- I must disagree your premis that photgraphy is a represental art form -- or at least no less or no more represental than painting or sculpture.
Another point of disagreement. Your definition of sculpture is too limiting for one, and second, your downgrading of the skill set required to make art through photography does not make sense to me.Of course to create real art from making a sculpture need much more craft in general!
Another point of disagreement. Your definition of sculpture is too limiting for one, and second, your downgrading of the skill set required to make art through photography does not make sense to me.
I am not too keen on borders (or walls) at the moment.
DISCUSSIONS ABOUT ART..........
And we would need a lot of extra space!Not all sculptors are able to make their own version of David with the same detail and style. And frankly it would be a boring art world if that is all that sculpture was.
It's fair to say that representation is photography's unique strength. That's why photography has been the medium of choice for news, reportage, documentary and the retention of personal memories. Photography exploits the ability to freeze time within the frame. Its other capabilities tend to be imitative of other media.Trendland -- I must disagree with your premise that photgraphy is a represental art form -- it is no less or no more represental than painting or sculpture.
Not as an art form...there, its strength is the same as other art forms -- their power as a means of expression.It's fair to say that representation is photography's unique strength...
I had a friend photograph a sculpture on a trailer going down the freeway. She entered that image in a show and was accepted. The sculptor saw the photo and sued her for COPYRIGHT INFRINGEMENT and she had to withdraw the image from the show.This is something I have been guilty of myself, seeing an interesting piece of sculpture and photographing it, telling myself I was doing something unique with it. Looking back, there was nothing really unique about it, it was just using someone else's art. What made it -something- was the original piece of art.
Most of the time I now focus on trying to make everyday, mundane things look interesting. Or photographing people. I'm just curious of what other people think about including art object in photographs.
I had a friend photograph a sculpture on a trailer going down the freeway. She entered that image in a show and was accepted. The sculptor saw the photo and sued her for COPYRIGHT INFRINGEMENT and she had to withdraw the image from the show.
I suppose it depends what you mean by photography. A photogram or pinhole photograph relies exclusively upon the action of light on sensitive material for its appeal. However the instantaneous nature of the camera shutter has provided an exclusively photographic artform that has no equivalent in other media.Not as an art form...there, its strength is the same as other art forms -- their power as a means of expression.
I had a friend photograph a sculpture on a trailer going down the freeway. She entered that image in a show and was accepted. The sculptor saw the photo and sued her for COPYRIGHT INFRINGEMENT and she had to withdraw the image from the show.
I had a friend photograph a sculpture on a trailer going down the freeway. She entered that image in a show and was accepted. The sculptor saw the photo and sued her for COPYRIGHT INFRINGEMENT and she had to withdraw the image from the show.
Again, Vaughn I agree, the power lies within the person practicing the art making enterprise.Not as an art form...there, its strength is the same as other art forms -- their power as a means of expression.
It more depends on what one means by art. True, the camera has provided a new unique way to see the world and to create art, but each art form has offered that. It is not the camera that makes art -- that must be done by us.I suppose it depends what you mean by photography. A photogram or pinhole photograph relies exclusively upon the action of light on sensitive material for its appeal. However the instantaneous nature of the camera shutter has provided an exclusively photographic artform that has no equivalent in other media.
My guess it was the organization putting on the show that got nervous...That is insane. Your friend should sue the sculptor for intimidation. If it were not to be exposed, it should have been covered while being transported.
It makes me wonder if andy warhol could have been sued successfully for painting his cambell soup can.
Interesting situation !
If the work (sculpture ) was not registered at the copyright office the sculptor might not have had a legal leg to stand on
if the work was in public view, even being transported it was in public view, and a photographer is free to photograph things in public view
whether it is a person place or thing, unless there are legal laws that state otherwise ( like federal installations post 9-11 )
and if the work was interpreted ( which all photography tends to be ) the image created was transformative so it might not be copyright infringement.
It makes me wonder if andy warhol could have been sued successfully for painting his cambell soup can.
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Again, Vaughn I agree, the power lies within the person practicing the art making enterprise.
If the sculpture was being used in an ad campaign it would have been a different story because she didn't get a release ...You nailed that correctly on all counts.
Hard to say, but Campbell's was apparently so happy about the free advertising that they sent him a few cases of soup.
http://www.lettersofnote.com/2010/07/i-hear-you-like-tomato-soup.html
I suppose it depends what you mean by photography. A photogram or pinhole photograph relies exclusively upon the action of light on sensitive material for its appeal. However the instantaneous nature of the camera shutter has provided an exclusively photographic artform that has no equivalent in other media.
Not sure I agree with that. Many paintings are a "snap shot in time".
But artificially so. A painting takes hours or sometime months to depict an event that happened in a moment, and then only by skilled contrivance. Photography is the opposite, it developed to capture a fragment of a second. In the digital age that moment can be shared across the globe in an instant. So while it's true to say the mechanics of light drawing are not defined by their brevity (early photographs took a long time to expose), the medium evolved to be as instantaneous as possible for the technology available. Where photography excels as an art form is not in self-conscious pictorialism, which is often more accomplished in other media - but in its representational authenticity, the ability to convince viewers of its truth.Not sure I agree with that. Many paintings are a "snap shot in time".
But artificially so. A painting takes hours or sometime months to depict an event that happened in a moment, and then only by skilled contrivance. Photography is the opposite, it developed to capture a fragment of a second. In the digital age that moment can be shared across the globe in an instant. So while it's true to say the mechanics of light drawing are not defined by their brevity (early photographs took a long time to expose), the medium evolved to be as instantaneous as possible for the technology available. Where photography excels as an art form is not in self-conscious pictorialism, which is often more accomplished in other media - but in its representational authenticity, the ability to convince viewers of its truth.
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