I think (my dear European friends) that we should start getting over the "relabeling phobia" complex. I too, was against relabeling but lately I found out that this is the only way for film photography to go on and keep the products we all need for our photographic work in production. Bergger, Tetenal and Maco might just do relabeling (they comission other companies to fabricate their products for them), that's OK with me, as long as they manage to keep their film-photography materials available to me. Why do you care so much if Maco sells film that is made in Croatia, China or somewhere else ? I agree that you should care that your film or paper is good and the quality remains stable through time and different batches, or even that the products that you buy are fabricated by a company that pays its employes well enough (not a "sweatshop company") and follows basic ethical rules (this concern might stop me from buying Chinese film, but I am not sure whether "Lucky" is an unethical company. Do you have such evidence?). For what I know, any American or even European company (especially some Eastern European ones, where environmental - and other - rules are not so strict - yet -) might be doing some harm to the environment or might treat its employes wrongly.
Many Maco products that I have tried were quite good, some were not that super. Their Ortho film (made by Efke, I guess) was great. The Agfa films, well, they're Agfa films. Use them as long as they'll last... I haven't tried it yet but they say that their IR film is great.
Try them out, then choose what you want to use and what not. Otherwise, where is the problem ?
If you're so concerned with quality control, then only use Ilford and Kodak films and stop whining about the rest.