If you use Lightroom I would scan with Epson and then convert with Negative Lab Pro.
https://www.negativelabpro.com/
I've received my V330 that I purchased as an intro to scanning 35mm film. I've looked at online information and everything suggests that silverfast is the best. However, I do not want to purchase something that I wont fully use.
What are the reasons one would choose Silverfast over the Epson software? I doubt I'll shoot much color film, so the majority of what I scan will be black and white for use in cyanotypes etc.
Are there any advantages to using Silverfast over the normal Epson software?
The V330 is your weakest link. Cutting edge software such as Silverfast will not make up for its deficiencies.
EpsonScan>Professional>Configuration>Color-no color correction for max detail in the scan, adjust in post for best image.
V500,V550,V600,V700,V750,V800,V850 (Photo)
4990 if you can find one.
Plustek 8xxx.
You definitely don't need Negative Lab Pro and Epson Scan is all you need. Especially if you only intend to scan BW.
If you want to buy that software you are the perfect customer.
What's that supposed to mean?
Means wanting to buy poorly documented software for funky hardware says something.
I got a copy of Silverfast along with Epson's scanner software years ago when I bought my Epson V700. I scan mostly black and white and the Epson software works fine for what I do. I find Silverfast overwhelming. It became unusable when I upgraded my Mac OS. I would use what you have before thinking of buying Silverfast. The money for the software can buy a lot of film.I've received my V330 that I purchased as an intro to scanning 35mm film. I've looked at online information and everything suggests that silverfast is the best. However, I do not want to purchase something that I wont fully use.
What are the reasons one would choose Silverfast over the Epson software? I doubt I'll shoot much color film, so the majority of what I scan will be black and white for use in cyanotypes etc.
Are there any advantages to using Silverfast over the normal Epson software?
Just make sure you are not clipping at either end, a flat scan is much better than one that looks good to you on screen, also do not sharpen when scanning... If you have a Mac you can put the colour meter on its in applications or utilities, if you use LAB setting you can check your densities at both ends to make sure you are not clipping... anything over around L95 will go to paper white and anything lower than around L6 will go jet black with no details... I feel this is simple advice that will make your scanning more comfortable.I had downloaded the Silverfast trial version and used it for a scan a few hours ago. I just downloaded the Epson software and tried a scan with it. I feel like the simplicity of the Epson software will suit my needs, but then I'm not sure what my needs ARE either.
The ONLY reason I need to scan negatives is so that I can enlarge them into digital negatives for contact printing, and maybe just having a digital "contact sheet" in order to choose printable options.
I guess I'm going to use the Epson software until the times comes that I feel I need something else.
I'm not even sure why I need Negative Lab Pro for Lightroom though.
If you transitioned to using your D700 and a macro lens/bellows to digitize your colour negative film, the Negative Lab Pro would be great for you - it takes the place of the tools built into scanning software which are designed to invert colour negatives, including dealing with the dye impurity compensating orange mask.I'm not even sure why I need Negative Lab Pro for Lightroom though.
Bob, when I scan with V600 and Epsonscan, I adjust the black and white points just outside the range of the histogram. I leave the middle contrast slider where Epson puts it when I reset the ends. Then I change the output settings to 0 and 255 rather than the Epson selected let's say 12 and 243 on the output. I leave ICE off, no sharpening, no anything else. I use 2400 bits, 48 bit color or 16 bit grayscale if BW film. Save as TIFF. Then I edit the scan in post with LR, Elements and/or Silver Efex PRo. What do you think?Just make sure you are not clipping at either end, a flat scan is much better than one that looks good to you on screen, also do not sharpen when scanning... If you have a Mac you can put the colour meter on its in applications or utilities, if you use LAB setting you can check your densities at both ends to make sure you are not clipping... anything over around L95 will go to paper white and anything lower than around L6 will go jet black with no details... I feel this is simple advice that will make your scanning more comfortable.
Bob
AlanBob, when I scan with V600 and Epsonscan, I adjust the black and white points just outside the range of the histogram. I leave the middle contrast slider where Epson puts it when I reset the ends. Then I change the output settings to 0 and 255 rather than the Epson selected let's say 12 and 243 on the output. I leave ICE off, no sharpening, no anything else. I use 2400 bits, 48 bit color or 16 bit grayscale if BW film. Save as TIFF. Then I edit the scan in post with LR, Elements and/or Silver Efex PRo. What do you think?
I just got a V850. I haven't even set it up yet. Today, maybe. Should I change any of the methods or settings from the V600? I'll be scanning 4x5 as well as medium format and 35mm. Thanks.
Thanks Bob. When I first started scanning, I used the Auto feature on my early scans on 35mm. Stupidly, I threw away those slides. Then I realized I had clipped so many of them. Lesson learned. Never use Auto scan feature. Either scan totally flat, no adjustments. Or set the levels only (Black and white points) to beyond the ends of the histogram.Alan
It sound like you are doing everything right... I never worry if the scan looks flat, that is what post processing is for.. Always 16 bit . I am not familiar with the epson scanner , I owned a 16 x 20 unit years ago but now use Creo Eversmart and Imocan.
For both I make sure I never clip .
Bob
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