grahamp
Subscriber
Any exposure on film is a compromise between reality and what you want in the final print/transparency. You do the best you can regardless of the format, and within the constraints of the time and place. Where large format is slightly different, is that it is normally done with sheet film, and that permits custom development. If you deviate from your normal development you are probably looking at an altered film speed, so you have a metering adjustment. But that is just more complexity - the level of care should be the same regardless.
Though if I have carried my 5x4 up a hill, adjusted the tripod a bit, put in any movements I feel I need, picked my exposure settings, and waited for the wind to drop, I'd better get a useable negative.
I likely only have a dozen sheets in the bag at most - the rest are back in the car...
Though if I have carried my 5x4 up a hill, adjusted the tripod a bit, put in any movements I feel I need, picked my exposure settings, and waited for the wind to drop, I'd better get a useable negative.
