The question of Fujichrome (and Fujicolor) production comes up regularly but never reaches any solid conclusions. In the absence of meaningful data, especially from Fuji themselves, we are left with two options: 1) Buy everything we can find if/when we can find it, or 2) Accept our future now and find an alternative (Ektachrome, quit photography, etc…).
One thing that’s not clear (again no help from the company) is what’s in it for Fuji. Ektachrome at least has the occasional Hollywood production to help subsidize still photography needs. Fuji does not.
So Fuji must be doing one of several things: 1) Producing new film while making acceptable profits selling it, 2) Producing new film while losing money, doing so for unknown altruistic reasons, or 3) Selling off frozen master rolls because they represent resources already consumed and accounted for, therefore any sales are profit with minimal effort and investment.
I really don’t know what is the case, but I can’t believe #2 is true.
Also, I’m no business major, but it seems like companies today are less interested in niche products or customers unless they are extremely profitable per unit produced. If you have to dedicate people to a project then you put your best, er, “human resources” on the project that will return the greatest “shareholder value”. That kinda suggests #1 isn’t what’s happening. So… frozen master rolls?
Maybe one day Fuji will be kind, or possibly unkind, enough to put an end to our speculation, but don’t wait. Just buy Fujichrome and use it.
$35 per roll today will seem like a deal in a year or two, whether fresh film is available or not. It wouldn’t surprise me to find there are future resellers with home freezers full of the stuff already anticipating the end. Honestly, that’s a no-lose deal if you can afford to wait it out.