Points have been made earlier about the necessity of making aesthetic judgements about work, how this is a part of appreciating art and artistic processes. This is true, but a statement such as "I don't like/understand Picasso" (purely hypothetical) is totally different from a statement such as "I think all modernists are boring". Or, "I think people who make oversized lumpy sculptures are cluttering up the environment".
It is slipshod, I would have thought, of any critic to make such broad generalisations (not that any critic of any worth could say such things about Picasso, but just using him as a given example...)
Surely it is more important, anyway, to work towards understanding and appreciation rather than "I prefer this to this". Or, "this is boring" which seems to say more about the observer than the work.
Is it 'mundane' photographs that are being objected to (for my money, NOTHING wrong with the mundane - most of my pictures are of - I hope - mundane things) - or is it 'cliched' subject matter/treatment? Very different.
No photographic medium has a monopoly on 'cliche' - it's everywhere, a complete oversaturation of images. I'm not an expert in alt processes or LF (have done some cyanotypes) but I would have thought these are as prone to any other format/medium to cliche, but there are rather fewer such cliched images around because less people are doing them than all the rest. Cliche is not to do with actual subject matter though, but how the whole work comes together (or doesn't come together). I firmly believe that no subject matter has been done to death - it's always possible to re-interpret, and re-create.
This thread puts reminds me of discussion around how to give constructive feedback in galleries.
Surely constructive appraisal is what should be aimed for outside the galleries aswell, rather than tearing down someone else's house?....just my 2p.....