jgboothe
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- May 22, 2010
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Thought I'd post about something I found out recently about scanning negative film with the V700 and Epson Scan. I haven't seen this mentioned anywhere before, so thought it might be useful for some.
As users of Epson Scan will probably know, it doesn't have an explicit option for multi-sampling. This means you don't have the option to reduce scanner noise or increase its dynamic range. As a result, you get a lot of noise when scanning negatives, which can be particularly bothersome in highlights and overexposed frames.
However, I believe that in positive mode, the scanner does use multi-sampling (possibly in conjunction with varying exposure time per sample). Scan times with equivalent settings are at least double in positive mode compared to negative mode. This would make sense, due to the greater dynamic range needed for scanning transparencies, and I can't think of any other reason why scans would take longer in positive mode.
Further to this, I believe the number of samples is changed according to the positions of the highlight/shadow sliders in the histograms in positive mode, with scans taking longer the further you push the shadow sliders to the left. Again, this would make sense because by doing this, you are 'requesting' that the scanner capture deeper shadows. Whether it's just that more samples are being done, or whether it is using longer exposures for the samples, or both, I don't know, but something different is going on.
This would all be pretty dull, except that I have found that this can result in quite a significant increase in image quality for negatives. There is less noise overall, particularly in denser parts of the film, and as a result, tones and colours are rendered more smoothly and low-contrast detail and texture is clearer. You can apply stronger sharpening, resulting in a sharper-looking image, so I'd even say that effective resolution is increased slightly.
The down side is that set-up times and scan times are far longer (around 3-4 times longer), plus you have to do the negative conversion yourself, with all the associated complexities. However, I find that the time I spend optimising scans post-capture, no matter how I do it, is far greater than the scan time anyway, so for me the increased scan time makes no difference.
To get the benefits, I have found it is necessary to set the input highlight and shadow sliders individually for each image and for each colour channel. I set the output sliders to 0 and 255 to get more linear output and set the h/s input sliders to the left and right ends of the image's tonal range for each channel, leaving significant lea-way to avoid clipping. I then save to 48 bit TIF. It's important to keep the 16 bits per channel, to allow for the transformations necessary during conversion to a 'normal' image.
Here is an example:-
The scan on the left was done as a positive, colour controls on, histogram sliders set as above. The scan on the right was scanned as a negative with 'No color management'. Both were scanned at 6400ppi and saved as 48 bit TIFFs, resized to 3200ppi, then the colour transformations done as a series of adjustment layers in Photoshop. I did my best to equalize the colours. They are both scans of the same 35mm film frame. The film was not moved between scans. The negative has quite a long tonal scale, so the highlight area depicted is fairly dense. It is a very sharp image which contains more detail than the V700 can resolve. The film stock was Fuji Pro160S.
Anyway, see what you think. Maybe some of you already use this method. I suspect the other V-series models will behave similarly. These tests were done using Epson Scan II, but I'm pretty sure the V700 behaves the same with the former version. I'd be interested to hear the experiences of others.
I also did some tests using Vuescan, to see if using multi-sampling in negative mode would produce the same results. What I found was that as the scanning resolution is increased, the number of samples it takes is reduced. When scanning at 6400, it appears that only one sample is taken, no matter how many samples you ask for - the scan time is exactly the same whether you choose 1 sample or 8, as are the results. This was somewhat disappointing, as I was considering purchasing it for this feature. I wonder if this is due to some kind of hardware/firmware restriction. I haven't tested its behaviour in positive mode yet.
As users of Epson Scan will probably know, it doesn't have an explicit option for multi-sampling. This means you don't have the option to reduce scanner noise or increase its dynamic range. As a result, you get a lot of noise when scanning negatives, which can be particularly bothersome in highlights and overexposed frames.
However, I believe that in positive mode, the scanner does use multi-sampling (possibly in conjunction with varying exposure time per sample). Scan times with equivalent settings are at least double in positive mode compared to negative mode. This would make sense, due to the greater dynamic range needed for scanning transparencies, and I can't think of any other reason why scans would take longer in positive mode.
Further to this, I believe the number of samples is changed according to the positions of the highlight/shadow sliders in the histograms in positive mode, with scans taking longer the further you push the shadow sliders to the left. Again, this would make sense because by doing this, you are 'requesting' that the scanner capture deeper shadows. Whether it's just that more samples are being done, or whether it is using longer exposures for the samples, or both, I don't know, but something different is going on.
This would all be pretty dull, except that I have found that this can result in quite a significant increase in image quality for negatives. There is less noise overall, particularly in denser parts of the film, and as a result, tones and colours are rendered more smoothly and low-contrast detail and texture is clearer. You can apply stronger sharpening, resulting in a sharper-looking image, so I'd even say that effective resolution is increased slightly.
The down side is that set-up times and scan times are far longer (around 3-4 times longer), plus you have to do the negative conversion yourself, with all the associated complexities. However, I find that the time I spend optimising scans post-capture, no matter how I do it, is far greater than the scan time anyway, so for me the increased scan time makes no difference.
To get the benefits, I have found it is necessary to set the input highlight and shadow sliders individually for each image and for each colour channel. I set the output sliders to 0 and 255 to get more linear output and set the h/s input sliders to the left and right ends of the image's tonal range for each channel, leaving significant lea-way to avoid clipping. I then save to 48 bit TIF. It's important to keep the 16 bits per channel, to allow for the transformations necessary during conversion to a 'normal' image.
Here is an example:-
The scan on the left was done as a positive, colour controls on, histogram sliders set as above. The scan on the right was scanned as a negative with 'No color management'. Both were scanned at 6400ppi and saved as 48 bit TIFFs, resized to 3200ppi, then the colour transformations done as a series of adjustment layers in Photoshop. I did my best to equalize the colours. They are both scans of the same 35mm film frame. The film was not moved between scans. The negative has quite a long tonal scale, so the highlight area depicted is fairly dense. It is a very sharp image which contains more detail than the V700 can resolve. The film stock was Fuji Pro160S.
Anyway, see what you think. Maybe some of you already use this method. I suspect the other V-series models will behave similarly. These tests were done using Epson Scan II, but I'm pretty sure the V700 behaves the same with the former version. I'd be interested to hear the experiences of others.
I also did some tests using Vuescan, to see if using multi-sampling in negative mode would produce the same results. What I found was that as the scanning resolution is increased, the number of samples it takes is reduced. When scanning at 6400, it appears that only one sample is taken, no matter how many samples you ask for - the scan time is exactly the same whether you choose 1 sample or 8, as are the results. This was somewhat disappointing, as I was considering purchasing it for this feature. I wonder if this is due to some kind of hardware/firmware restriction. I haven't tested its behaviour in positive mode yet.