I only use a reflective one degree spotmeter for everything (the Pentax digital one). Contrary to a previous post, it's the ONLY way one can accurately meter distinctions of black within black or white within white. Any incident meter doesn't even see such distinctions, but just the general light falling on the whole scene - perhaps fine for a studio where lighting can and be artificially controlled and balanced. But the outdoor world often involves extremes, like in my case resolving the specular highlight sparkle of individual ice crystals on a snowfield in bright sunlight, when needing to capture the distinction between deep pits of shadow in volcanic rock from the lesser black of that rock itself, all in the same scene. But whatever metering method you choose, sheer familiarity with analogous conditions and specific films is needed, as well as being cognizant of the potential effect of flare in your meter lens, just like in your camera lens itself.