Svenedin
Member
Goodness me, that is remiss: 20s are everywhere. So too are 16, 17, 21 and 24mm...
I use a 20mm, with a HOYA HD CIR-POL or B+W KR1.5 (skylight). This lens is a simple, versatile Canon EF 20mm bought 27 years ago and no matter how hard I try it is darned near impossible to introduce any light-induced flaw.
There's also a 17-40mm L-series zoom often shooting in strong angular light (found here in New Zealand, bathed in a southern temperate glare between days of rain and gloom), again with a slim B+W KSM Cir POL or KR1.5 filter. It's very, very infrequent to experience flare (especially) with this lens. There is a bit of flare with my SMC Pentax 67 90mm but not the uber-fancy 75mm f2.8AL. Horses for courses..., you might get appalling flare, ghosting and misc. aberrations shooting with cheap, ancient lenses no matter what sort of filter you put on. If that's what rows your boat, go for it.
Something to remember: irrespective of the filter, it needs to be understood that flare and ghosting can be, and often is used, creatively in photography. It is a skill knowing when it is useful or when it needs to be avoided. I don't sit in one camp but freely move between the two.
Yes I know super-wide angle lenses are around and have been for a long time. All I am suggesting is that they are relatively uncommon for the average 35mm film photographer