Priorities for me would be:
1) easy film handling;
2) film flatness!;
3) auto-focus, and/or a robust manual focus alternative;
4) a film path that minimizes dust and is self cleaning;
5) a continuous spectrum CRI 100 light source - electronic flash preferably;
6) a desk footprint that is relatively small;
7) capacity to scan strips as well as rolls;
8) must, must, must be usable with transparency materials. If you can't scan slides, I wouldn't want it. I have no problem with it being optimized for handling negative roll films.
The power source should be easy to replace or repair - proprietary cords are a pain. And there needs to be an on/off switch.
General purpose "macro" lenses designed for DSLRs would be a poor option. A good scanner needs a special purpose optic, with performance optimized for its intended use.
A scanner in the suggested price range would be of interest to only a very small minority of individual photographers. For small labs though, this would make a lot of sense.
1) easy film handling;
2) film flatness!;
3) auto-focus, and/or a robust manual focus alternative;
4) a film path that minimizes dust and is self cleaning;
5) a continuous spectrum CRI 100 light source - electronic flash preferably;
6) a desk footprint that is relatively small;
7) capacity to scan strips as well as rolls;
8) must, must, must be usable with transparency materials. If you can't scan slides, I wouldn't want it. I have no problem with it being optimized for handling negative roll films.
The power source should be easy to replace or repair - proprietary cords are a pain. And there needs to be an on/off switch.
General purpose "macro" lenses designed for DSLRs would be a poor option. A good scanner needs a special purpose optic, with performance optimized for its intended use.
A scanner in the suggested price range would be of interest to only a very small minority of individual photographers. For small labs though, this would make a lot of sense.