You are not actually far from the truth. About 15 years ago I used to do building maintenance in a series of buildings in a very well known city (not in Australia). During that time I got to know a bunch of the security team who were assigned to these buildings. They used to have have a tape that they would dub certain footage too, which they showed me once. The footage was of, lets say, private liaisons in secluded areas.The real perverts are behind government cameras... watching us for our own good and their own pleasure...
I don't tend to photograph children as a rule if I can help it.
Y'know, if you put it that way, I am, sort of, the official photographer of Sunset Point.Street photography is a social activity. Treat it like a street party at which you're the official photographer.
The reason is brutally honest: Most people don't care to look at pictures of other people's kids.
Show them a picture of their own kids and they'll think it's the greatest picture in the world, even if it isn't. But show them a great picture of somebody else's kids and they'll say, 'Ho-hum, what else have you got?"
Yup.
Other than this, I would say to get the weirdest camera you can find. A Mamiya TLR would probably suffice. Nearly everybody is intimidated by those things. You have to be a serious photographer if you show up with something that weird. I do know that I get occasionally nasty reactions if I use my SLRs, which are recognizable as normal cameras, but this is much reduced using a mid40's folding camera. The Mamiya C33 seems to get almost universal respect. People stand back when they see it.
OT Hi Ming. You by any chance the same Ming Rider as on the P*P*O forum? If so coincidence we are both on the same forums?
there seems to be a bit of a vogue at the moment on camera forums to diagnose people as having drug and/or alcohol and/or mental health problems purely on the basis that they object to having their photographs taken without first being asked.
What Ming Rider experienced is really quite unpleasant - as his reaction testifies - but none of us are in a position to make moral (or pseudo-medical) judgments about the person who inflicted it on him. We have no idea what provoked her reaction.
I suppose my biggest failing is that I tend to see the best in people (until they show otherwise)
There are plenty of things that are perfectly legal that we don't do because we know others will object.
Like what? And who's "we"? And is yelling "pervert" at someone one of those things?
Like what? And who's "we"?
And is yelling "pervert" at someone one of those things?
I don't see that as a failing. I think it's much better than thinking the worst of people until they prove themselves to be worthy.
Steve.
Like telling my boss what I really think of his suit. And "we" is the average normal person.
I don't see how that compares to taking pictures in a public place.
i am not familiar with the rules of the country the OP was in regarding street photos. but in the US we can still do it freely.
A simple cheery nod from me to anyone passing by, is met with a fearful look in the other direction.
Yeah it's weird to me that some people can't accept that there are perfectly normal people that don't want a stranger snapping pictures of them and their family without permission.
. . . anyone who reads a newspaper or watches a tv more than once a month should know that . . .
I think there is a basic misunderstanding between serious photographers and the public.
We don't necessarily take pictures OF other people. We take pictures that have people IN THEM.
At least that's the way I see things. I take pictures of landscapes, scenery or landmarks but, without people in them, they often look deserted, uninteresting or just plain boring. People in the foreground or interacting with the world are what makes an "okay" picture into a great picture.
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