NB23
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- Jul 26, 2009
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- 35mm
The first half of the batch of films fixed at 1:9 will be fine, but the second half might be less fixed/degrade.
just like papers... for archival capacity, the more you fix the less they are archival. The first papers will be, the last papers, less. Unless, of course, you throw the fixer while it’s within the archival range. This way all your work should be archival.
All logical, really.
just like papers... for archival capacity, the more you fix the less they are archival. The first papers will be, the last papers, less. Unless, of course, you throw the fixer while it’s within the archival range. This way all your work should be archival.
All logical, really.
So I think you are saying that your film fixed at 1+9 10 years ago looks no different to another film fixed 10 years ago at 1+9 but then re-fixed recently at 1+4?
So 1+9 fixing clearly lasts 10 years but no-one knows how long it will last beyond 10 years are the two conclusions I feel we can reach instantly . The only way we might get an answer to what the future holds is by asking you to do a visual check every year and tell us your findings.
It raises a number of questions: Is it the case that film fixing at 1+9 will inevitably lead to deterioration at some point beyond 10 years and if so at what time interval?
One argument says that it will because if it didn't, then Ilford would simply give extended times for 1+9 films. It does for paper but makes no mention of any other dilution for film except 1+4
If an extended fix time for 1+9 in the case of films is not an effective alternative then it indicates to me that Ilford believes there a serious flaw or possibly even a fatal flaw in using fix at 1+9 for film but what that defect in fix at 1+9 for film is, I have no idea.
There are a number of courses open here to arrive at a definitive answer. Use this thread to get a range of answers from Photrio users. This will be both quick as it has been already and slow in that the thread may never end or at least take a long time to deviate from the thread's key question. The replies may contain a range of answer from it is fatal to use 1+9 to it is OK and some may even give you the ages of their films that are still OK after x years, y years z years etc
Some may even give the chemical explanation as to why 1+9 is fatal or very dangerous The whole thing can be fun and absorbing or be confusing and have the added problem of making two or more members draw daggers when until the thread arrived they were blissfully unaware they had an enemy. It's a bit like a variation on the Jim Reeves' record "A stranger's just a friend you do not know"
On balance it were me I'd be inclined to write to Ilford and ask the specific question and the reasons for 1+4 only being mentioned.
I for one would be interested in the answer.
NB When you give us Ilford's answer it may still extend the discussion but then we will all at least know Ilford's answer.
pentaxuser
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