Ilford published Rodinal times

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Fatih Ayoglu

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Hi all,

As I have pinhole issues with my Foma100 sheet films more often than not, I am planning to move over FP4+ and Ilford has kindly published development times for non Ilford chemicals as well.

So my question is, because we know Rodinal doesn't give the shadow speed, would it make sense to expose the sheets 1/3 stop more and shorten the development times 15% or Ilford has already calculated for the speed loss in shadows areas and compensated the development times accordingly.

I am looking particularly to Rodinal as it is my go to developer for slow films.

Many thanks,
Fatih
 

Dustin McAmera

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It would be worth looking at the datasheet that comes with the Rodinal for comparison.

(in fact, I can do that. Fotoimpex gives a link to the Agfa original datasheet from its listing for Adonal:
https://www.fotoimpex.com/chemistry/adox-adonal-rodinal-500-ml-conc.html )

For FP4 plus, at 20 deg. C, Agfa gives 8 minutes at 1/25 dilution or 18 minutes at 1/50. Ilford gives 9 minutes and 15 minutes. That seems weird; am I reading those wrong?

To add to the fun, I daresay Ilford have based their times on agitating once per minute, and Agfa want twice per minute (which barely lets you drink your tea before it's time to invert the tank again).
 

MarkS

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Only you can find your answer. Run an exposure/development test. Exposure brackets in 1/2 stop intervals around box speed of a full-scale subject- bright sun and deep shadow. Repeat 4x. Then develop 1)@ 'normal', 2)@ 20% less time, 3)@ 50% more time. Make proper proofs of all 3. Evaluate. If necessary, fine-tune development time with test #4.
Somewhere in those tests will be the look you want. And you'll have the right answer for you.
 

chriscrawfordphoto

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I personally found Ilford's times for FP4 in Rodinal to be too long, and AGFA's times to be WAY too long. For me 13 minutes in Rodinal 1+50 at 68F/20C worked best. Expose at EI-100.
 

pentaxuser

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If Rodinal is you standard developer for slow films then I'd be tempted to use the latest times such as the Adonal sheet rather than Ilford

However as Mark has said if Rodinal is to be you "go-to" developer for slow films then it may be worth your while to test for your film speed in your camera and your exposure meter and then test for optimum dev time

John Finch has 2 useful videos on this as follows



pentaxuser
 
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Fatih Ayoglu

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yes I’m not quite sure Ilford or Agfa are showing old R09 Rodinal or the new Rodinal. What I’ll do is shoot a test sheet through Stouffer 31 wedge tablet, that should give me an idea.

I guess if I measure the light give +5 stops and then shoot a white A4 paper, and develop the sheet, that should give a good understanding of ISO. From there I can take with printing at Grade 2 to see optimal black time and tame for development time
 
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pentaxuser

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I have the last of the Agfa Rodinal bought in 2005 and that sheet shows the same as Dustins but as earlier sheet which I cannot date shows 5 and 13 so we have two Rodinal times and an Ilford time which is between the 2 Agfa times

Sound as if a personal test is definitely worth it

pentaxuser
 

Dustin McAmera

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Since Fatih specifically mentioned shadows, and Rodinal, I'm surprised nobody has brought up compensation by stand or semi-stand developing yet.
 
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Fatih Ayoglu

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Well I didn’t want to open that can of worms because I do it already time to time but I’d like to have a risk free development as well.
Every single time I do the Semi stand development, my heart pounds faster than normal :smile:

That’s why I’ll test it with Rodinal 1+50 which should have a compensating effect for highlights and then should allow enough time for shadows…
 
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Well I didn’t want to open that can of worms because I do it already time to time but I’d like to have a risk free development as well.
Every single time I do the Semi stand development, my heart pounds faster than normal :smile:

That’s why I’ll test it with Rodinal 1+50 which should have a compensating effect for highlights and then should allow enough time for shadows…

It's not that simple. Rodinal gives less shadow speed than other developers, and diluting it won't change that.
 

RalphLambrecht

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Hi all,

As I have pinhole issues with my Foma100 sheet films more often than not, I am planning to move over FP4+ and Ilford has kindly published development times for non Ilford chemicals as well.

So my question is, because we know Rodinal doesn't give the shadow speed, would it make sense to expose the sheets 1/3 stop more and shorten the development times 15% or Ilford has already calculated for the speed loss in shadows areas and compensated the development times accordingly.

I am looking particularly to Rodinal as it is my go to developer for slow films.

Many thanks,
Fatih

It does make sense.
 
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Fatih Ayoglu

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It's not that simple. Rodinal gives less shadow speed than other developers, and diluting it won't change that.

Yes I know the dilution is not going to change that. Shadow speed is more with the exposure and the first 50% of the dev time. If I use high dilution with slightly shorter dev time but correct exposure (like +1/3 to +1/2) I should have good shadows speed and due to compensating effect and shorter dev time, controlled highlights.
 

pentaxuser

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Fatih, iIf you haven't already done so, have a look at John Finch's videos on Rodinal and decide for yourself if the shadows are OK with John's 1+100 dilution and his form of semi-stand

The thread has a real chance of doing down the "Oh no it doesn't!" and the "Oh yes it does" on any of Rodinal's qualities and we are still 7 months away from the pantomime season😄

pentaxuser
 

logan2z

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I personally found Ilford's times for FP4 in Rodinal to be too long, and AGFA's times to be WAY too long. For me 13 minutes in Rodinal 1+50 at 68F/20C worked best. Expose at EI-100.

My experience is very similar to yours. I shoot FP4+ at EI100 and develop in Rodinal 1+50 at 68F for 11m 45s. I'm happy with the results so far.
 
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Well I didn’t want to open that can of worms because I do it already time to time but I’d like to have a risk free development as well.
Every single time I do the Semi stand development, my heart pounds faster than normal :smile:

That’s why I’ll test it with Rodinal 1+50 which should have a compensating effect for highlights and then should allow enough time for shadows…

Except - as others have pointed out - Rodinal gives the poorest shadow development of pretty much any developer available, and no modifications to how you use it will change that property. It's not a matter of "allowing enough time for shadow development" - the developer simply gives the least shadow density of pretty much anything else you care to compare it with.
If preservation of shadow information is important to what you do, either decrease the ISO when exposing the film, or select a developer that performs better in this regard.
 

Milpool

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Here are some FP4+ sensitometry results for Rodinal 1:100 stand development at two development times relative to XTOL. Note results will vary in practice as in this experiment care was taken to minimize any difference between developer temperature and ambient temperature.

DE5D5DF9-9BE3-40B9-B1C7-929C7EAC380C.jpeg
 
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Fatih Ayoglu

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Except - as others have pointed out - Rodinal gives the poorest shadow development of pretty much any developer available, and no modifications to how you use it will change that property. It's not a matter of "allowing enough time for shadow development" - the developer simply gives the least shadow density of pretty much anything else you care to compare it with.
If preservation of shadow information is important to what you do, either decrease the ISO when exposing the film, or select a developer that performs better in this regard.

As said, I’ll do +1/3 to +1/2 exposure with decreased development to maintain highlights. But I’m well aware of the fact that development cannot change that speed loss characteristic of this developer.
 
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Fatih Ayoglu

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Here are some FP4+ sensitometry results for Rodinal 1:100 stand development at two development times relative to XTOL. Note results will vary in practice as in this experiment care was taken to minimize any difference between developer temperature and ambient temperature.

View attachment 372281

So Rodinal stand gives the best shadow speed, as expected.
 

Milpool

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…with a few caveats. Note the 60 minute development time produced high contrast. The 30 minute time produced a normal gradient (essentially the same as the XTOL control) with basically full emulsion speed. It would be interesting to find out if a normal process (much shorter development time with agitation) yields a materially different result.

One thing to watch out for though - uniformity in these tests was bad. Each density on the curve is the average of a series of measurements on each patch and the spreads were significant. Come to think of it I should have put in error bars. Even the fog levels showed some non-uniformity. Some amount of intermittent agitation would likely improve things somewhat but it would require experimentation. When it comes to these extreme processes there are variables, some quite difficult to control.
So Rodinal stand gives the best shadow speed, as expected.
 
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Fatih Ayoglu

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I guess all my past experience with 1+100 dilution is with semi stand as it is instructed on the bottle.
Nevertless, I’ll do couple of tests with decreased ISO and decreased development time to have a base negative.
 

RalphLambrecht

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As said, I’ll do +1/3 to +1/2 exposure with decreased development to maintain highlights. But I’m well aware of the fact that development cannot change that speed loss characteristic of this developer.

You seem to be doing it right (expose for the shadows and develop for the highlights); it is a well-proven process!
 

Milpool

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Most contemporary films have big exposure ranges. Realistically the “straight line” range is 11-12 stops, essentially what Ilford shows in the FP4+ data sheet.
What’s remarkable though is, you have 16 stops recordings. Now that’s big!
 
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Except - as others have pointed out - Rodinal gives the poorest shadow development of pretty much any developer available, and no modifications to how you use it will change that property. It's not a matter of "allowing enough time for shadow development" - the developer simply gives the least shadow density of pretty much anything else you care to compare it with.
If preservation of shadow information is important to what you do, either decrease the ISO when exposing the film, or select a developer that performs better in this regard.

Truuh woids wuz nevuh spoke!
 
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