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Ilford new (limited?) canisters

DeletedAcct1

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I think the new canisters and boxes are gorgeous!
Note to moderators: I've realized that maybe this isn't the best sectionf of the forum to put a similar post in. Please move this post as you see fit.
{Moderator note: that's OK; we've moved it to its present location. For anyone wondering "didn't I see this before on Photrio?" - you may very well have, here: https://www.photrio.com/forum/threads/new-design-of-kodak-film-boxes.208814/post-2827146)}
 

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I think the new canisters and boxes are gorgeous!
Note to moderators: I've realized that maybe this isn't the best sectionf of the forum to put a similar post in. Please move this post as you see fit.

I am not sure but this colour has been used many years ago??
 
I think the new canisters and boxes are gorgeous!
Note to moderators: I've realized that maybe this isn't the best sectionf of the forum to put a similar post in. Please move this post as you see fit.

I think that packaging is beautifully "retro" and will appeal to many. We like change and novelty in our world, don't we.
 
I think that packaging is beautifully "retro" and will appeal to many. We like change and novelty in our world, don't we.

The had more colourful packaging in the 50s..Red white and blue and red white and orange...green and white ....
I remember when Ilford initially brought out a 35mm camera (1949 I think it was and called for some reason 21 or 22..not sure which. (im 91!)...a sensation then..in white!! - although they then went with DACORA camera in 1957
Our news photogs were gobsmacked and delighted,,no more VNs and heavy leather cases to lug around...!!
 
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I think that packaging is beautifully "retro" and will appeal to many. We like change and novelty in our world, don't we.

Imho Ilford should mantain this package forever...
 
It has that awful look of badly outdated color film. A nasty color cast combined with crossover curves.

On the other hand, a lot of people seem to go for that "look" and seem willing to pay a lot for it. To each their own.

It just makes me gag.

 
It has that awful look of badly outdated color film. A nasty color cast combined with crossover curves.

On the other hand, a lot of people seem to go for that "look" and seem willing to pay a lot for it. To each their own.

It just makes me gag.

Well, like it or not (and you're not required to), the point of it is to acknowledge their history and recreate a packaging motif from their past. It's how these films used to look. So why not?
 
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Sharktooth said:I

t has that awful look of badly outdated color film. A nasty color cast combined with crossover curves.

On the other hand, a lot of people seem to go for that "look" and seem willing to pay a lot for it. To each their own.

It just makes me gag.



Bucket on the way...........


........................
 
For some reason, and even though I know it's just a cosmetic change, I find it much harder to get the leader out of the film than on standard films. My F80 sometimes rewinds before the end of the film too because there's so much resistance. I shot 3 rolls of HP5 and it was the same on all three.
 
They were the normal boxes back in the 60's when I started out with a camera so nothing is new.
 
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If those are their best looking retro cassettes then I don’t want to see the rest of them, but, yes, they are (very) different and we love them, right?

Try not to buy at least one!
 
It kinda explains why Ilford pretty much only made B&W film. Their color sense is a bit off the wall (and preferably in the bucket).
 
I'm trying to remember the last time I saw something labelled "Made in England ...."
The colours really do make me think of the 1940s and 1950s, so I like the choices they made.
 

With that new packaging, the film is too ashamed to come out and show it's face
 

You should consider reaching out to Harman - either through the Contact page on their Ilford Photo site, or through a Conversation initiated here with @Harman Tech Service
 
I picked up a roll packaged like this in 120 at my local camera store sometime around the end of November/Beginning of December. They claimed it had just arrived the day before. I don't normally shoot HP5 but grabbed a roll just for the interesting packaging.

Does anyone know if this is permanent or is it a limited time deal?

I like the "clean" look of Ilford packaging, but don't mind this at all. I'll certainly take it over Kodak's recent redesign, which is a little too minimalist/modern for my liking.

At the end of the day, though, I don't buy film for the packaging, I buy it for what it can do when exposed, developed, and ultimately turned into some sort of directly viewable medium(whether a file or a print). I may not like the new Kodak packaging, but as best as I can tell Tri-X is still Tri-X so I'll keep buying it for when I want things to look like they were shot on Tri-X(which is 90% of the time for me, give or take, when I'm shooting B&W). For my workflow and usual processes, most of the time I can't see a difference between HP5 and Tri-X in the end result, so if that's still the case in this packaging, I'll still keep buying HP5 as an alternative to Tri-X. I'll still keep buying FP4+ as a nice, slow(er) traditional grain film that is a viable alternative to my beloved and dwindling stash of Plus-X even if it takes a bit of work to get it to look like PX...or sometimes just appreciate FP4+ for what it is.

In all of this too, I buy Ilford/Harman products because, even if I often like the products a bit less than their closest Kodak equivalent, they've shown themselves to be "all in" on film and silver-based imaging products. They have continually produced film for decades without interupption, improved what needed to be improved but also left alone what was perfectly fine. Their QC is top notch(as much as I love supporting some of the smaller companies and "revived" companies, QC can be hit or miss) and are responsive if something does get through. Unlike one of the other big players(Fuji) they are transparent about what's going on. Thanks to the way they do special order film sizes, even if you have to wait once a year for it, the oddball sizes/formats tend to be fairly accessible without needing to order obscene amounts(as I understand it, and maybe I'm wrong, Kodak would be happy to make 2x3 or 11x14 or whatever in any emulsion they catalog, but you or your buying group had better be ready to commit to what's probably a master roll quantity). As of now, they're the only first tier brand offering B&W paper, and having come to the wet darkroom fairly late(mid-2010s), aside from some ancient Azo I use occasionally, Ilford paper is all I know. All their documentation on pretty much everything is excellent. As if that all wasn't enough, they usually beat Kodak by $1 or so a roll on directly comparable emulsions.

I say all that to say that yes I like the boxes, but even if I didn't, it would stop me from using Ilford film.