Dietmar Wolf
Member
Thank you very much 

Another technique I use is to bleach the print in very dilute Ferricyanide (about 1/10th as recomended for sepia or less) before toning. About 30 seconds seems to work well. There is no apparent lightening of the highlights, but It tones to a lovely reddish tone - again very subtle.
I'm also an advocate for bleaching back then selenium toning for interesting colour shifts with MGIV FB. My practice is to use split grade printing and, for the final print give between an extra three quarters to one whole stop in the soft grade exposure, then once all fixed and fully washed, bleach back until the lightest tones just disappear (bearing in mind the slight continuation of the bleaching action for a short time in the wash), thorough wash again, and finally re-develop in a mid-strength selenium (about 1:10 in maco selenia or 1:7 ish in Harman selenium toner) this gives a lovely split of almost yellow highlights against the cooler shadows - or give 1/2- 1 whole stop extra exposure to both soft and hard grades, bleach back almost completely then re-develop in the selenium - a livery brown can be achieved. Another way to get a colour shift with MGiV FB is to leave the print in the toner for 24 hours or so - some interesting things happen - i tried both bleaching and long toning once and got an almost peachy colour to the print.
.Leon,
Did you fix after the bleaching and selenium (I know that Kodak selenium toner contains ammnium thiosulphate ....
.Leon,
Did you fix after the bleaching and selenium (I know that Kodak selenium toner contains ammnium thiosulphate, don't know about the others, I myself use a home brewn selenium toner, T55, which does not contain fixer)
Oh you have this option called I believe China prints, first you tone verry intensive with selenium, than you bleach back all non toned silver, you get these peachy colours if I remember this correctly..
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