Could it be the pre-wash? You're not the first to complain about uneven development with HP5 and I start to believe that Ilford films especially their ISO400 emulsions don't really like pre-wash/soak.
Well, I'm sure Simon will be jumping in here at one point, but now I'm on alert. I just bought 4 rolls of HP5+ dated June 2016 and 4 rols of PanF+ 2015. Were you using Xtol replenish? I'll be using WD2d+, Pyrocat-MC, Perceptol 1:2 & 1:3 and Clatons F76+ so I don't know if I'll come up with the same results or not. Pretty cold up on the Big Lake this time of year. I hope you didn't take on any frostbite. Bunch of tough SKandie wood cutters up there. Their about the only ones that can take winter 6 mos. out of the year. I've spent a lot of time up there hunting and fishing and hate to come back across the Big Mac, but this winter I'm even getting sick of Southwest Michigan. I bet you got some nice shots of jutting ice mountains on the shoreline. I'll let you know after this weekend how my HP5+ comes out. JohnW
Hi Thomas - what does the uneven development "look" like? Is it subtle non-uniform density in areas that should be uniform, or is it more obvious like blotchy/mottled or streaks or something? Offhand I'm puzzled.
Thomas, I use lots of HP5. I've never had an uneven development issue. I use ID-11 1:1 for 13 minutes. I do not use a pre-soak however. It would certainly be worth a try without a pre-soak.
Thomas, I use lots of HP5. I've never had an uneven development issue. I use ID-11 1:1 for 13 minutes. I do not use a pre-soak however. It would certainly be worth a try without a pre-soak.
Thomas, I suspect the presoak step as the culprit. Either do away with it altogether or extend it to a minimum of three minutes or longer. IMHO, too short of a presoak is worse than none at all, as it doesn't allow the AH to fully dissolve, especially in the center of the roll. I use vigorous agitation as well, treat it like a coctail shaker even (butonly for this step).
One thing I have noticed with Ilford films - after presoaking, I can see a foamy kind of material that pours out with the presoak water, so when I presoak, I keep 2 more fill-ups of the same temperature water handy and when I dump the presoak, I fill and dump twice more, to get rid of the "foam". It's not terribly thick, but not normal for what I'm used to with Kodak film.
I posted a thread sometime ago to see if anyone else gets this "foam" but got no responses.
One thing I have noticed with Ilford films - after presoaking, I can see a foamy kind of material that pours out with the presoak water, so when I presoak, I keep 2 more fill-ups of the same temperature water handy and when I dump the presoak, I fill and dump twice more, to get rid of the "foam". It's not terribly thick, but not normal for what I'm used to with Kodak film.
I posted a thread sometime ago to see if anyone else gets this "foam" but got no responses.
Only times I've had uneven development of B&W films was when I used a pre-soak, that's in 50+ years of processing. There's zero benefits whatsoever to me in a pre-soak, particularly when the manufacturer doesn't recommend one.
I have been shooting quite a bit of HP5 and with superb results.
Ian
I know that there's no direct benefit to doing a presoak, but for me it was a thing of pure utility, Ian.
To get my developing tank from 45 degrees to 68 degrees before I pour chemistry in. Otherwise it's tough to be consistent with temperature.
I will have to devise a new way of tempering the tank without pouring liquid into it.
Just pour in the dev and temper the film not the tank.
I know that there's no direct benefit to doing a presoak, but for me it was a thing of pure utility, Ian.
To get my developing tank from 45 degrees to 68 degrees before I pour chemistry in. Otherwise it's tough to be consistent with temperature.
I will have to devise a new way of tempering the tank without pouring liquid into it.
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